Jean-Jacques Scheffer

Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their help.

Martin Terrier wants to quit his job as a hired hitman, but his organized crime employers are unwilling to see him turned out to pasture, Terrier knows too much, and he is still useful to the organization. He escapes to the countryside where he meets Claire, and the two soon fall in love. Back in Paris to confront his employers, Terrier learns that they've stolen all his money from the bank. They give him an ultimatum—do one last job for them and he gets his money and his freedom...

On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.

A woman who hasn't seen her father in 18 years, learns of his death and goes to his estate in France to carry out his wishes. She then learns that her father was a thief who after getting caught and going to prison and upon his release was approached by an insurance company, who wanted him to use his talents in helping them recover some valuables that had been stolen, which became his new job. Now that he is gone, he wants her to continue his work.

No description available.

The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.