Suzy Milstein

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After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

In a middle-class school the story of the relationship between two young students, Ana and Alex, develops. A passion relationship, addiction and friendship that escapes the standards and at the same time is the translation of how young people today relate, among them, with other generations, with the institutions and social rules.

Authorized biopic of Brazilian evangelical bishop Edir Macedo, founder of the Universal Church of the Kingdom of God and owner of Record TV network. Based on a book trilogy of the same name, the movie tells the story of the self-made man who faced several moments of turbulence while pursuing his conviction.

Paulo is an experienced doctor who works at a Primary Healthcare Unit on the outskirts of São Paulo. Using unorthodox methods, he focuses on preventative medicine. His routine changes with the arrival of Laura, a recently graduated and ambitious young woman.

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Rosalía is a factory worker who dedicated her life to working in a factory on the outskirts of São Paulo. Fired and depressed, she is taken on a business trip by road to Buenos Aires. For the first time in an unfamiliar world, she begins a journey that will transform an essential part of her.

What's it like to shoot a series that takes place in Rio de Janeiro during the summer and São Paulo during the winter? What were some of the challenges related to producing a series during a pandemic? Author and screenwriter Luly Trigo takes us behind the scenes in this "live" special.