Elena Sassi
Directing
Known For

In the disciplined world of boxing, Fabiana maintains order as a referee, but her life takes an unexpected turn when she decides to adopt Dudu, a troubled 12-year-old boy. To get out of this, she must reconnect with his father, a frustrated actor. While society favors “perfect” mothers, fathers and children, this unlikely trio faces challenges and discovers that family is much more than an ideal model.
Família em Construção

7 notti in Arena is the third live album by Luciano Ligabue. The album is a testament to audio and video of the concerts given by the Ligabue 25-27-28-30 -3-4 September and 1 October 2008 at the Arena di Verona (where has been recorded another DVD of the singer, Ligabue Arena in 1999), accompanied by the Orchestra of the Arena di Verona seventy elements, directed by Marco Sabiu.
Ligabue Sette Notti In Arena

In a world where nature is fading, in a town in south Brazil's countryside, people from the original settlements still exist, but face difficulties surviving due to the unproductive lands. Lauri is one of them. However, unlike the others, he has a dream that takes him to the Great Tower.
The Great Tower

Unknown forces invaded the planter's land, spreading pests throughout his plantation.
O Plantador

No description available.
Anathofagia
Cecilia spends the weekend in Anaís and Isabelle house, her childhood friends.
As Três

We are born into naked bodies that we strive to dress, decorate and change, hoping reaching authenticity. How can we show our true selves if we are caught in the shape of our bodies?
Beyond the Looking Glass
We are surrounded by commercial images. Everywhere we look, everything we touch is already marked with economic value. And as we construct our identities from the images and impressions we encounter every day, our selves become increasingly commercialized. We are being sucked into the economic realm. We become our own propaganda. Things become even more complicated if our identity is gay, an identity that constantly needs to reorganize its relationship with the dominant hetero culture and constantly seeks a center to form a comforting subculture. But what if this subculture, this "gay self," is also being commercialized? An experimental film about gay iconography in a commodified age.