Directing
The mechanic Kobja wants to start a new life in New Zealand. But the necessary money for the overflight is missing.
A rainy night, a car breaks down, an old house in the middle of nowhere with a light burning in the window. Soaking wet, Markus knocks on the door - and interrupts Renee in the middle of her pottery. She’s suspicious of the young stranger, but interested. An Adonis is missing from her artistic collection of dildos. It’s only a matter of warming to the occasion, and she’s in the flush of life. So she reaches for Apollinaire on the book shelf. . .and a jar of honey.
You don't play with crocodiles. Two people on a stroll at the end of an night, at the end of the Berlin myth of Prenzlauer Berg: they are sexy, they are young, they are forlorn. It could be a wild summer. There will be two happy days in Berlin. The movie tells the tale of a place, the tale of a love, the tale of longing for a new beginning. More than an extraordinary independent movie, a universal big-city novel which could, without that affectionate local color, take place in every metropolis. Exodus or exitus: 'Tenerife EXIT' plays between and with them both.
Brandenburg, near the Polish border; it all started with a toothache. Then the boss called to say he was needed. Extra Duty - to guard a gangster for the night in an emergency ward. Konzak was sorry he ever became a cop. Besides, the prisoner was a moody boxer-type, and the room at the hospital was like in the middle of the Sahara Desert. Sweat was already dripping down his back when the night nurse stopped by on her rounds. A sway of the hips.. the look in her eye...she was a real knockout. Konzak forgot the toothache and the prisoner...
