Tamer Ashry

As Maher is forced to leave his home with his wife Ward and his son Rahim to escape from the businessman and antiquities dealer Wajeeh, he settles with his aunt in Alexandria in an attempt to hide his big secret from the public eye.

After a five-year hiatus, psychiatrist Yehia returns to work at Abbasiya Hospital. He’s assigned to evaluate a patient who turns out to be his old friend. As events unfold, Yehia uncovers dark secrets that challenge his understanding of reality.

Rukia wakes up after a 4-month coma, only to discover that she does not remember anything that happened in the last six years of her life, and that her betrayal brought about her husband's murder.

Mahmoud is man in his late 50s, who owns a photocopying store. When he comes across a topic about dinosaurs, he becomes obsessed with searching for the causes of its extinction, which leads him to rediscover love, friendship, paternity and the real meaning of life.

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Ahmed is a simple man who lives in a village which called Beidif, 200 km from Cairo in Egypt. His job is to make up the sewer system. All houses in Beidif have cesspits to get rid of waste water. A cesspit is a large underground tank to hold sewage. They need to be emptied regularly or the household will face problems. The film shows how Ahmed does his work everyday and how this work affects his life.

When 24-year-old Hend Nafea is arrested and tortured for demonstrating peacefully in Cairo's Tahrir Square, her pursuit of justice reflects post-revolution Egypt at an uncertain crossroads.

The events revolve around "Aisha" a veiled girl who accompanied by a friend, goes to a shopping center to buy some items for her friend who is waiting for her baby, Aisha dicovers that there is something more than her body and face hiding behind her veil.

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We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.