María de la Luz Zendejas

Four nuns are raped by a group of lepers. Although they all turn out to be pregnant, their status is hidden from them in the convent.

Controversial, sexy and surreal tale of a messenger, his journey and encounters with many historical events and people such as Auschwitz, the Ku Klux Klan, Frida Kahlo, Cortés and Emiliano Zapata (as a beautiful woman!)

Snippets of a family drama involving a rebellious son coming to his depressing home village, his father, and a jaded ex-lover, mixed with various surrealist scenes and statements about sin.

Claudio, Juan and Vampire have been friends since their teenage years. One night, Claudio tells his friends he is being extorted by a police officer, so he needs a large sum of money. He asked them to perform a fake kidnapping, so they can obtain the money he needs from his own family. But soon after they got the money, Claudio has been kidnapped for real.

Anapu is the people's hero. He extracts water from a rock, befriends, and baptizes it, makes peace with the warring brothers, raises the dead, licking men and women clean. In between, he makes a lot of soul searching as he wanders through the village, mingling with the various common folk and natives, and discuss their problems, future hazards and their lack of unity, while tracking a fascist military.

Written, produced, photographed, directed, and manipulated during performance by Rafael Corkidi, the "video theater" Querida Benita (1989) is a spectacle that breaks with the formats of film and video by situating itself in a sui generis setting (the Manuel M. Ponce Hall of the Palace of Fine Arts or a small stage in the basement of the El Juglar bookstore in August-October 1989), but it encounters the limitations of the dramatic current that it, moreover, inaugurates. These are the limitations of Mexican socialist unrealism.