Acting
No description available.
USSR, November, 1941. Based on the account by Vasiliy Koroteev this is the story of Panifilov's Twenty-Eight, a group of twenty-eight Red Army soldiers commanded by General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though lightly armed they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.
The year is 1967. A series of mysterious murders of women are taking place in Leningrad. An experienced KGB major, Chuzhbin, and a police captain, Fedorov, are assigned to catch a maniac who leaves mysterious signs next to the victims.
Two policemen— Katya and her partner Kukharenko, find a strange man with a canvas bag on his head at a bus stop. His name is Roma Aksentiev. Before that, he had been in the hospital for six months, but the 30-year-old man remembers absolutely nothing more: where he lives, where his relatives are, what happened before the hospital. Aksentiev has a gift: as soon as he touches the hands of a man or a woman, he sees their past or future. Such psychic abilities can be useful to police officers, especially since right now a mysterious maniac named Vodyanoi appears in a provincial town. He drowns his victims in reservoirs. A mystical detective will reveal the secrets of Aksentiev's gift and past, and the psychic himself will help Katya and her partner solve more than one complicated case.
The year is 1983. Yulia Morozova studies foreign languages at Leningrad University, plays sports and does not even imagine that in the very near future she will have to work in the KGB. She looks very much like the deceased wife of American spy Jim Wheeler, who arrives in Leningrad to meet with an agent working at a secret research institute. Counterintelligence agents led by Volokhov are playing a complex espionage game, intending to identify a "mole" in the defense industry. To do this, they plan to introduce Yulia into the American's inner circle, hoping that he will take the bait.
A merciless ghost-killer, capable of possessing his victims, is haunting the city. While everyone around him remains skeptical of the mysticism, ghost hunters take up the case: former investigator Maxim, his strange mute partner, and a 14-year-old teenager named Zhenya, who accidentally joins them.
The film tells the story of the final years of the life of Nicholas II, the last emperor of Russia. It follows his devoted wife, Empress Alexandra; his son, Tsarevich Alexei; his daughters, Grand Duchesses Olga, Tatiana, Maria, and Anastasia; and his brother, Grand Duke Michael Alexandrovich. The love and loyalty of those closest to Nicholas accompanied him through the most difficult years of his life. But they could not protect him from betrayal. The treachery and cowardice of members of the Romanov dynasty, politicians of every kind, and generals who had sworn allegiance to the throne ultimately led to the collapse of the empire. The story of the imperial family unfolds against the backdrop of a tragic turning point in history.
The Telegin family has completed the construction of their dreams — in a remote village near Yelets, a fashionable barnhouse has been erected on the site of their parents' old summer house. For this, Igor, an IT specialist, and his wife Daria, a practicing psychologist, had to go into debt, but there was no other way out — doctors recommended that their son with an immune disease live in an ecologically clean area.
The love story of the son of Imam Shamil Jamalutdin and Lisa Olenina against the backdrop of the dramatic events of the military history of Russia in the first half of the 19th century. Jamalutdin went down in history as a "great hostage", and the film is an attempt to answer the question: a hostage of big politics or big love. The historical context of the decline of the Nikolaev era, against which the story of love and betrayal, honor and duty, service to the motherland and loyalty to this word unfolds, will become the key to the film.
Russian sociologist Maxim Shugaley and his translator colleague Samer Sueifan are still being held in a Libyan prison. For more than a year, they have been subjected to torture and psychological violence on a daily basis. While in custody, Maxim Shugaley encounters various people who turn out to be, sometimes unknowingly, sources of information about the situation in Tripoli. Listening to their stories, the sociologist literally collects valuable information bit by bit, which can be decisive for the entire world community.
An ambulance driver in a small Russian town becomes inspired to make some life changes after he unexpectedly becomes the temporary guardian of a 7-year- old girl.
Anya, a young academic raised in an orphanage, is on the cusp of success when she’s accused of drug possession. While in limbo hiding from the police, she hits the road with Kristina, another orphan several years Anya’s junior, in search of her possibly mythical grandmother.
To save his business, formerly successful psychotherapist Kholmogorov is forced to take on his team a new employee, simple janitor Klava who, using her humane warmth and natural empathy, as opposed to Kholmogorov's trendy techniques, really heals people's souls and helps them overcome any, even the hardest psychological problems. Kholmogorov is skeptical at first; he doesn't believe in the success of this enforced experiment, but, after a while, he realized that Klava not only helps him attract new clients but also sort out his own personal problems.
