Sophie Lambert

Host Guy A. Lepage brings together six to eight personalities from different milieus—sports, politics, stage productions and more—that are the subject of everyone’s conversations and/or are important figures in recent events. Participants are invited to speak freely, voicing their opinions on headline news or on a subject that is near and dear to them. 

A weekly Canadian television newsmagazine series. The show is anchored by Alain Gravel, and includes contributions from journalists Hélène Courchesne, Josée Dupuis, Sylvie Fournier, Guy Gendron, Normand Grondin, Solveig Miller, Madeleine Roy, Françoise Stanton, Pascale Turbide and Julie Vaillancourt.

"La Course destination monde" is a Canadian reality television series, which aired on Télévision de Radio-Canada from 1988 to 1999. The series was a filmmaking competition which sent young, emerging filmmakers from Quebec around the world to make short films about their destinations, with prizes awarded at the conclusion of each season to the best films coming out of the competition. The show premiered in 1988 as "La Course des Amériques", sending filmmakers to destinations in North and South America. The second season, "La Course Amérique-Afrique", continued to highlight destinations in the Americas as well as opening to destinations in Africa, while the third season, "La Course Europe-Asie", centred on destinations in Europe and Asia. From the fourth season onward, the show was titled "La Course destination monde", and permitted filmmakers to travel to anywhere in the world.

A program featuring independent documentaries produced in Canada and abroad exploring regional, provincial, national and international perspectives. Through these films, Doc humanité seeks to reveal, share, show and explain the big issues of our time in all spheres of human endeavour and contribute to an improved understanding of Canada’s place in the modern world.

The project was initiated as the result of the forced cancellation of Eric’s concerts scheduled for May 2021 at the Royal Albert Hall due to the continued disruption caused by the pandemic. Looking for a viable alternative and hoping to keep his options open, he reconvened with his band to the English countryside and staged a concert in the presence of only the participants themselves while letting the cameras roll. (Eric’s wife, Melia, the sole outside observer inspired the Sessions title.) The mostly acoustic set was envisioned to be like an "Eric Clapton Unplugged II," but not quite, as three songs are played with electric guitars. The result became far more than simply a sequence of greatest hits. Rather, it’s one of the most intimate and authentic performances of his entire career, an offering flush with real insight into the make-up of his indelible catalogue.

Thanks to the smartphone, we are witnessing one of the biggest revolutions ever in the world of romantic relationships.

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