Margarete Hasting

Walter Gropius saw stage design as an interplay of various disciplines, comparable to architecture, forming an "orchestral unity." From the structural affinity of the two arts, he derived the necessity of establishing a Bauhaus stage. Here, the fundamental elements of "stage design" were to be examined and reformulated. At the center of the Bauhaus stage was Oskar Schlemmer, who headed the stage workshop from 1923 to 1929. With his Triadic Ballet and the Bauhaus Dances, he explored the tension between people and space, and thus the fundamental conditions of theatrical design, through abstract and geometric play with form, color, sound, movement, and light.

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

Documentary on the design and choreography of Oskar Schlemmer (1888-1943), an artist and teacher associated with the Bauhaus. After a discussion of his artistic philosophy and goals, illustrated by his drawings, reconstructions of his choreographic works are seen in action, each with a brief introduction.