Friedrich Ebert

Adolf Hitler (1889-1945) was a mediocre who rose to power because of the blindness and ignorance of the Germans, who believed he was nothing more than an eccentric dreamer. But when the crisis of 1929 devastated the economy, the population, fearful of chaos and communism, voted for him. And no one defended democracy. As the dictatorship extended its relentless shadow, the leader claimed peace, but was preparing the Apocalypse.

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)

From Lucrezia Borgia to Malinche to Marie Curie: Women’s contributions have often been downplayed or misrepresented in the history books. Duels of History (re)tells their stories.

Using exclusively archival footage, Erwin Leiser traces the rise and collapse of the Third Reich, from Adolf Hitler’s early years to the devastation of Europe and his suicide in 1945. The film draws heavily on material produced and preserved by the Nazi propaganda apparatus to confront the mechanisms, imagery, and consequences of totalitarian power.

Structured as a cabaret show and composed entirely of rare visual and sound archival material, Cabaret-Berlin, The Wild Scene explores Berlin during the 20s and early 30s, when it was home to Europe’s most innovative and experimental artists, writers, and musicians, and where Jews played a leading role.