Shyamal Gupta

Prafulla is beautiful and righteous but is mistreated by her in laws because of her poverty. Prafulla comes to a fortune by chance and is guided by Bhabani Pathak, a nationalistic religious leader to use this fortune in the cause of justice. She is trained rigorously and becomes a bandit queen wrapped in mystery and even fights back Colonial British forces to safeguard villagers.She becomes the legendary Debi Chowdhurani. Gradually incidents take such a turn that her erstwhile tormentors, i.e. her in laws come under her power and the movie ends with reconciliation.

Kalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?

Synopsis::: Chandi is a village girl. She is bold, brave, and extremely courageous. She is the protector of the underdog and punishes the wrongdoers of society in her own way. The zamindar of the estate witnesses Chandi at her act of justice and decides to marry her to his younger son. However, his wife opposes as Chandi hails from a not-so-rich household and proposes her marriage to the elder son Gobindo, a mentally challenged man and the son of Zamindar’s late first wife.

When the widower Sudhangsu is about to get married, a woman claiming to be his first wife tries to stop the wedding. However, Sudhangsu believes this woman is an imposter because he believes his wife has committed suicide.

Mithu Mukherjee belonged to a poor family. Her father was suffering from a chronic disease. They didn't have enough money to buy his medicines. Her father (Asit Baran)'s friend had cheated him due to which they had to mortgage even their house to him. Mithu Mukherjee decided to help her family and came out of her house in search ofa job. At last she got a job in a company which however stopped its business within a few months' time. She then joined a hotel where she met Uttam Kumar. Uttam Kumar was a bar singer there. He was a singer in disguise and he used to help distressed women who were exploited by the so-called upper class rich people. Mithu Mukherjee (Khuku) was helped by Uttam Kumar who helped her family get her ancestral house back. At last Uttam Kumar gave all the secret details of those people to the police and took his leave.

Uttam Kumar is in a mental asylum where he has forgotten slices of his life and behaves in a way that makes people feel he is mad. The doctor, however, disagrees and treats him with gentle kindness.

A philanderer, the only son of a wealthy doctor, is attracted to a poor orphaned artist. Her stepbrother loathes rich people, and would go to any extent to get money off them. What would happen if the roles reversed?

In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.

Maryada was a Bengali drama film directed by Digambar Chattopadhyay. This movie was released on 15 December 1950 under the banner of Bhabani Kalamandir Limited. This is the third and first movie in which legendary Bengali actors Uttam Kumar and Bibhu Bhattacharya appeared respectively. In this movie, Uttam Kumar leaps on a song for the first time in his career.

A 1957 Bengali Romantic Drama Film directed by Chitta Bose, featuring Uttam Kumar & Mala Sinha in lead roles.

Suren, the son of a zamindar of Bangladesh, lives his life in his own way. He takes up the private tutor job for a girl whose elder sister is Madhabi, an ill-fated widow. But after a few days, he returns to his rich family and marries. But he cannot forget Madhabi who loves him like an elder and caring sister. In the meantime, when Madhabi's sister-in-law drives her out of the house, Suren hears that and arranges to return the property to her.

Shipra is a poor woman who is molested and killed as she witnesses corruption. The police and lawyer Somnath take up the case and slowly dig into it. He traces the corrupted policeman and comes to know that Karuna, the head lady of the orphanage where Shipra used to live is equally involved in female trafficking. However, when he sees Karuna his world is turned upside down. Karuna is Shukla, Somnath’s long-lost wife. Circumstances had led her to become a puppet in the hands of the gangsters. However, she is to keep mum about the entire conspiracy, lest they kill her only daughter. Somnath gives assurance to Karuna to speak the truth. She does that and, in the end, the entire gangster network is caught. Karuna’s daughter is proved to be Somnath’s daughter. They get together again.

Another attempt at ghosts and reincarnation. The Court singer's foster grandson, Baiji Kamala's son (Shankar) arrives one day at the court and is exactly a replica of the prince (Rudra). Ali knows he is the illegitimate son of the King. Despite being aware of the facts, both become fast friends, and Rudra takes it upon himself to protect Shankar. Queen Padmavati (Dipti) tries to poison Shankar, killing the King Pratap instead. Shankar grows up to be a stereotype, drunkard, and pleasure-loving, and Shankar is the moderator. In childhood, Dewan's daughter Ranjita betrothed Rudra, preferred Shankar and finally married him. Rudra can't bear it and is out to kill Shankar. Will he succeed? If he does then?

Rajat, a young man, meets Manju, a rich girl whose father is looking for her. Though Rajat initially slyly tells her father her whereabouts, he ends up falling in love with her.

The first film to deal with life in creches in coalmine areas.

Jayanti takes up a job of a governess in the Roy family. Sanjoy Roy, the uncle of the five kids, is an arrogant man. Soon, Jayanti wins the kids' hearts and Sanjoy's respect.

Sashibhushan who is the orthodox patriarch, has a tough time dealing with the youngsters who want to live life on their own.

A 1955 Bengali Drama Film directed by Sudhangshu Mukhopadhyay & written by Prabhabati Devi Saraswati.