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P. D. Sambandam

P. D. Sambandam

Acting

Known For

Thiruvarutchelvar
7.5

When a dancer makes a king realise the insignificance of the worldly pleasures, he decides to devote his life to the Almighty and starts reciting tales and songs of His greatness.

Thiruvarutchelvar

1967
Anbe Vaa
7.0

A rich man decides to take a vacation after working for two years straight. However, upon arrival, he is shocked to find that his caretaker, Krishnaiah, is missing after renting his Shimla bungalow.

Anbe Vaa

1966
Navarathiri
8.0

After a fight with her father on who her future husband should be, Nalina leaves home on the first night of Navaratri. For the next nine days, she experiences nine types of human behaviour.

Navarathiri

1964
Thillana Mohanambal
7.3

A classical bharatanatyam dancer and a nathaswaram player fall in love against the wishes of her family.

Thillana Mohanambal

1968
Lakshmi Kalyanam
N/A

After killing an officer, Raghunathan leads an isolated life. Just before his daughter's marriage, he meets his rival Sundaram who threatens to expose his secrets.

Lakshmi Kalyanam

1968
Andha Naal
6.3

Rajan, a radio engineer, is found murdered in Madras during the tense World War II era, amid fears of a Japanese air raid on the city. CID officer Sivanandham investigates the case as each suspect—Rajan's wife, lover, relatives, and neighbors—narrates a different version of events, revealing hidden motives and secrets that lead to the truth.

Andha Naal

1954
Kalvanin Kadhali
9.0

In the quiet village of Poonkulam, Kalyani and Muthayyan are deeply in love. But fate takes a cruel turn when Muthayyan is wrongfully branded a dacoit and forced to live in hiding within the forest. Despite the danger and distance, Kalyani remains unwavering in her love, and the two dream of escaping together to build a peaceful life as husband and wife. Their hopes rest on the shoulders of Kamalapathi, a loyal friend and stage actor, who devises a clever plan to outwit the police and help the lovers flee. Disguises, deception, and devotion all come into play—but a tragic misunderstanding sets off a chain of events that none of them could have foreseen.

Kalvanin Kadhali

1955
Manjal Mahimai
N/A

Manjal Mahimai (English: Power of Turmeric) is a 1959 Tamil language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures and directed by Adurthi Subba Rao. Starring Akkineni Nageswara Rao, Savitri in the laed roles and music composed by Master Venu. The film is based on Aasapoorna Devi's Bengali novel Agni Pariksha which was first remade as Telugu movie Mangalya Balam (1958); both the movies are made simultaneously by same banner & director and some of the scenes & artists are same in both versions. It was later remade as Hindi movie Chhoti Si Mulaqat (1967) with slight changes, starring Uttam Kumar, Vyjayanthimala in pivotal roles

Manjal Mahimai

1959
Adutha Veettu Penn
8.0

Mannaru falls in love with his neighbour, Leela, who is a skilled dancer and singer. Realising that he could woo Leela through music, Mannaru seeks help from his musically talented friend.

Adutha Veettu Penn

1960
Vaazhkai
9.0

Meenakshi, an unwed mother, leaves her baby in Nathan’s car after her lover, Moorthy, abandons her. Though Nathan takes care of the child, his girlfriend, Mohana, becomes suspicious of him.

Vaazhkai

1949
Athey Kangal
7.0

A woman gets ready to leave for a get together and finds her husband dead in their room. In no time, she is also tried to kill by a black masked face man. His attempt gets failed and he escapes. The woman is now in state of shock and mentally paralysed. A murder case is registered and investigation take place. Susi (Kanchana) a young college girl comes to her home for vacation along with her friends. She lives with younger paternal uncles Kamalanathan and Vimalanathan who are the younger brothers of the victim and her aunt who was supposed to be the victim in the hands of the murderer. Susi meets Baskar (Ravichandran), a singer and both of them are attracted to each other at first sight.

Athey Kangal

1967
Bommai
9.0

The business partner and some employees of the elderly Mr. Somasundaram plot to eliminate him by hiding a bomb inside a doll. Learning of the plot, a few others try to avert the calamity. The story consists of the series of events by which the doll keeps changing hands, while being chased by those involved in the plot, and also by those trying to prevent it from exploding.

Bommai

1964
Kumudham
N/A

Kumaran, who is married to Kumudha, takes the blame for a murder he did not commit. Convinced of his innocence, his former lover sets out to unearth the truth, which involves Kumaran's brother-in-law.

Kumudham

1961
No image
7.2

Raja, the son of a rich man who was cheated of his wealth by Jambu, grows up in an orphanage. He becomes a famous poet in the city with the help of Jambu's family, unaware of his past.

Aadi Perruku

1962
No image
N/A

Shekar, a rich young man, discovers that his cousins, Gowri and Sundar, are finding it difficult to lead a comfortable life. He decides to help them against his father's wishes.

Naan Petra Selvam

1956
No image
8.0

Rajan loses his luggage in the train and ends up as a driver in Dharmalingam's family. He falls in love with Gomathy, the eldest daughter of Mullaivaasal Zamindar, his family's arch-rival.

Gomathiyin Kaadhalan

1955
Town Bus
N/A

Town Bus is a 1955 Indian Tamil language drama film directed by K. Somu and produced by M. A. Venu under his banner M. A. V. Pictures. The film was written by A. P. Nagarajan, and the soundtrack was composed by K. V. Mahadevan. The film stars N. N. Kannappa and Anjali Devi, A. Karunanidhi, T. K. Ramachandran in the lead roles with V. K. Ramasamy, M. N. Rajam, T. P. Muthulakshmi portraying supporting roles. The plot of the film was built around a bus transport company based in Coimbatore.

Town Bus

1955
Penn
10.0

The action revolves around two friends played by Vyjayanthimala and Anjali Devi. In Tamil.

Penn

1954
Jeevitham
10.0

A crooked wealthy man has cheated a gullible poor woman and meanwhile an aristocratic self-possessed woman is being flirted by a responsible officer, an ideal for modern India in this "social guidance picture".

Jeevitham

1950