Elena López Riera

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.

Ana, her mother and grandmother live in a small town in southeastern Spain where all three are regarded with suspicion.

At a party in Barcelona, Helena hopes to meet an old lover from who she is still in love. While the night moves forwards, her initial sensuality becomes disdain.

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

After years of exile, Rafa returns to his village in the south of Spain and has to face all the ghosts left behind.

In the South of Spain, a multicolored pigeon race will be won not by the fastest bird, but the one who will be able to seduce a female pigeon and fly alongside her the longest.

A village in southern Spain. On a hot summer afternoon, a woman grabs a rabbit, strokes it, then kills it with her bare hands before skinning it. Her grandchildren witness this rite of death which they will never forget. The streets echo with an ancestral legend which has it that the spirit of a woman with a broken heart prowls at night, so that she will not be forgotten.