Marguerite Clark

For 15 years, wealthy widow Marise Jaffrey has searched for her daughter Mary, who was taken away as an infant by her father and subsequently disappeared after he was killed in a train accident. Mary Healy, a stenographer who has helped in the search, learns that Mrs. Healy is not her real mother. At the same time, Mary's resemblance to the missing girl leads Mrs. Jaffrey to investigate further and discover that Mary is her daughter. Mary then goes to live in the Jaffrey home, but runs away because of the snobbish attitudes of Mrs. Jaffrey's friends. Henry Martin, a printer's foreman, tells Mrs. Jaffrey of his love for Mary. Mary's mother and foster mother reconcile themselves when they see Mary's happiness over her forthcoming marriage.

Count Von Herbeck, the chancellor to the Grand Duke of Ehrenstein, is married but keeps the fact secret on account of his high ambitions. His wife, dying, writes him a letter urging him to make their little child a great lady. A lost film.

Bab comes home for the Christmas holidays. Given to fabrications, Bab has been keeping a diary in which she describes and imaginary boyfriend named Harold Valentine. Imagine what happens when a real Harold Valentine shows up as her parents' house guest.

Lord Anthony Crackenthorpe engages the help of a zoologist's widow to help him write a book about his favorite subject, spiders. She moves into his mansion with her impetuous daughter Peggy. Anthony's mother is very worried that her son, heir to the Crackenthorpe estate may become involved with Peggy. She asks her younger son Jimmy to keep company with the young girl.

Fifi is an actress in Napoleon-era France. She wins a lottery and leaves Cartouche, the man she loves to go live with a rich family. The conniving Louis Bourcet tries to woo her because he wants her money. But Fifi wants nothing to do with him, and ultimately she gives up her money and returns to Cartouche. But Cartouche, believing he is too old, refuses to marry her until Napoleon himself orders him to do it.

Man-haters Pamela Gordon, Violet and Kate West, each disappointed in love, vow never to marry, and room together with a sign above their door reading "No man shall cross this threshold." When Edgar Holt enters their room to escape an irate husband whose jealousy he mistakenly aroused, he falls in love with Pamela, but she makes him leave through a window across an ironing board over a courtyard. Edgar woos Pamela but he is unsuccessful in breaking down her resolve, even though she privately softens and develops a love for him. To help her, Edgar secretly gets her a position as a confidential secretary with his firm.

When Tourneur adapted the allegorical plays The Blue Bird by Belgian symbolist Maurice Maeterlinck and Prunella by British playwrights Harley Granville Barker and Lawrence Housman in 1918, they had been successfully staged for many years, opening in Moscow and on Broadway and everywhere. Today, the saccharine charm of these anti-modern fairy tales doesn’t work any more. But undistracted by the meaning or action of the film, we can enjoy the surface of Prunella all the better, the dazzling sets and costumes, silhouettes and painted backdrops created by the great art director Ben Carré in a fashionable Art Déco Neo-Rococo style.

Country girl Annabel Lee has big dreams of being a famous artist. Her widowed mother encourages her to go to the city so she can study. Annabel works hard, but she sells only one painting. She discovers that a renowned artist is spending the summer at a nearby resort, so she sends him her best work for a critique. A friend recommends that she see him in person, so Annabel pawns a piece of jewelry and heads for the resort. The artist informs her that she doesn't have enough talent to achieve much.

Chronic liar Berenice Somers and her friend Alice, skip school to see a matinee, however, the two girls must think quickly when they see Alice's parents, Judge and Mrs. Altwold. Trying to escape, they run into the hotel room where young diplomat Cleverley Trafton is staying. Alice's parents find them, however, and are shocked that two young women would be in a man's room. Undaunted, Berenice says that she is Cleverley's wife, and that Alice simply had been visiting. Going from hostile to hospitable, the Altwolds then insist that Berenice and Cleverley stay with them. Cleverley is unable to argue his way out of the situation, and both he and Berenice are embarrassed at having to spend the night together. They soon realize, however, that they have come to like each other, and so, deciding to change Berenice's lie into the truth, they begin making plans for their marriage

On the eve of her wedding to a man she does not love, young Felicite (Marguerite Clark) stumbles upon a diary written by one of her ancestors.

Mary Lucille Smith, a schoolgirl who elopes with John Chiverick, gets her marriage annulled by her father, and later pretends to be a widow to romance another man, Larry McLeod, leading to chaotic mix-ups and hidden identities at a party where Chiverick's new wife also shows up, all about mistaken identities, secret pasts, and comedic marital mishaps.

Molly is an irrepressible young lady who decamps from her grandmother's farm where she learns of the dire poverty with which they are threatened. Coming to the city, she seeks a position and failing to find one, hits upon the scheme of writing letters to invalids for the purpose of cheering them along the road to recovery. It so happens that her only subscriber is Carl Stanton, in whom she has already taken a violent interest. Carl is totally ignorant of the identity of his little correspondent until matters reach a climax which brings about a revelation of the fact that it is none other than Molly.

When Bab Archibald's father gives her $1,000 with the proviso that the gift will serve as her allowance for the year, our heroine proceeds to blow the dough on a brand new car. The car is subsequently totaled when Babs runs afoul of a milk truck, and paying for the damages leaves her with a measly 16 cents. Frustrated yet undeterred, Babs takes a job as a cabbie. One of her customers leaves something behind - a blueprint for the Archibald mansion. Could this customer be nothing more than a crook? Bab is on the case!

Pepita, a radiant and merry Spanish beauty, and her playful brother Jose, witness their mother, whose faded beauty led her husband to abandon her for another, plunge a dagger into her breast.

Mrs. Wiggs, a loving mother whose husband has abandoned her, supports her many children and lives in hope of her husband's return.

Little Miss Hoover is a 1918 American silent romantic drama film directed by John S. Robertson and stars Marguerite Clark. The film is based on the novel The Golden Bird, by Maria Thompson Davies.

Olivia Dangerfield and her brother are hired as servants in the household of the meticulous Mrs. Falkner. When another pair of servants is detained by the law, Olivia decides to pose as a master cook, though she knows little about the culinary arts. Meanwhile, Burton Crane, the boyfriend of Mrs. Falkner's daughter, becomes attracted to the "wonderful cook" at the Falkner home.

An Eastern drifter stakes a claim near Boiseville but spends his nights gambling away his gold. Moll, one of the owners of the gambling hall, tries to help him quit the habit. When is neighbor, Peter Gardner teams up with Moll’s partner, Dick Weed, to try and steal the claim, Moll (who is secretly the drifter’s mother) and Gardner’s daughter, Kate, who is in love with the drifter, attempt to stop them. Gardner nearly succeeds in winning the drifter's claim in a card game, but an amnesiac named Crazy Oby suddenly regains his memory, recognizes Gardner as the man who robbed him years ago, and shoots him. Before dying, Gardner confesses that Oby is Kate’s real father. With the villains defeated and the truth revealed, the drifter and Kate find happiness together and prepare for their wedding.

On a whim and to save the good name of her sister, Dolly Erskine, a light-hearted young woman, declares that a riding master is her husband, not realizing that they have crossed the border into Scotland and that the confession of marriage is binding. However, she has unwittingly become the wife of an earl, falling in love with him in time to prevent a divorce decree. While Dolly is falling in love, the earl continues to pose as a riding master, and as such wins the heart of his pretty bride. Based on the play "Gretna Green," by Grace Livingston Purniss.

Three men, disillusioned in love and intent on getting away from all women, rent a cabin and retreat there. But the young woman who owns the cabin, unaware that it has been rented, is on her way there to escape from an unhappy engagement.