Acting
The story of an elderly Hindu woman who refuses to leave her ancestral home in Lahore, only to have a Muslim refugee family from Lucknow allotted to her house following the events of the 1947 Partition of India and Pakistan.
The Homicide Intervention Team (HIT) sends ruthless police officer Arjun Sarkaar to find a group of killers and stop their grisly murder spree.
Ahead of a major constitutional decision which rendered the Article 370 of the Indian state ineffective, special agent Zooni Haksar is tasked with a secret mission to quell violence in the conflict-ridden region.
The protagonist is a young man staying in a city. He is sensitive, melancholy and a dreamer. He is unable to communicate his feelings to the woman he loves. Everything seems to have been entangled in a mesh, irrespective of these characters. He cannot even differentiate between his capability to love and his passionate desires which have been repressed. That is how he is confused and with his ideals and morality he is living outside his own time and inevitably suffering. His self criticism is endless. He dreams about whatever he lacks and about his ideals. The dreams have led him to the domain of non-communication. His repressed passion along with his self criticism has made him bored with life. Now at every point he expects something exceptional.
A computer teacher, his black-magician grandfather, and a female cyber-creature promote a series of pre-destined rendezvous, both online and offline, over the shreds of mnemonic time and space, at the cleavages of various parlors of subculture. The film explores the possible correlation of digital aesthetics and black art, situated in post-human consciousness.
The protagonist's job is driving across the country screening family planning films in villages, often meeting with unpleasant responses from his target audience. His faith in life is sustained by his love for his dream girl — a beautiful actress he saw crying away in a film five years ago and has haunted him ever since. Writer-director Buddhadev Dasgupta won the National Film Award for Best Direction.
ADRISHYA is an Emotional thriller which explores the intricacies of a child - Parent believe in knowing each other. A never seen Child anxiety and its evil effect that will make you emotional and cry. Twist and turns in the movie will hold your breath by a high degree of Adventure and Suspense. Debutant Director Sandeepp Chatterjee says, I was fascinated by the idea of exploring Biggest Disadvantage of a Nuclear Family.
