Mohammed Hammad

The events revolve around three newly graduated doctors renting a small apartment and turning it into a triple clinic despite the different specialties, which leads to many comedic situations.

Samaan, a young Christian man, works as a security guard in a residential building in downtown Cairo. Quiet and introspective, he spends his nights writing stories and chasing his dream of publishing his first novel. Beneath his calm surface, Samaan carries deep wounds—the lasting effects of chronic PTSD, rooted in the traumatic loss of his father, who was killed in a terrorist attack in Libya during Samaan’s childhood. One day, amid the noise and routine of the city, Samaan crosses paths with Fatima, a young Muslim woman. What begins as a simple encounter soon blossoms into an extraordinary friendship—one that slowly begins to break down the walls Samaan has built around his trauma.

After the death of her parents, a traditional and conservative young woman, Iman, has to take care of her younger sister, Noha. When her sibling is faced with a marriage proposal, Iman has to ask her uncles to meet the groom and his family, as customs in Arab societies require the presence of a man from the bride’s side for the marriage agreement. But Iman decides to disregard the tradition.

Both Mahmoud and Zeinab join hands to search for the original version of the first Egyptian independent film that was made back in the 1980s, all copies of which were either destroyed or confiscated for unknown reasons by the government film agency, an entity that governed film production and distribution at the time.

Directed by Mohammed Hammad