Ludovic Segarra

Pierre has disappeared. His ex-wife Fanny, their daughter and Maria, "the other", go looking for him. There and at the Grand Hotel de Cabourg with a very young new conquest. Each in their own way will try to flush him out and allow him to come to terms with himself. In the midst of all these women, Pierre Flanche stiffens up, questions himself with his aggressive but aging charm. The finale in the mist of the beach is like the random movement of feelings.

Composed of exceptional scenes this documentary reports the history of the Tibetan people who, as the commentary says, have been oppressed in silence for forty-five years.

For the Latmul of Papua-New-Guinea, the head is all the being substance. Therefore they conserve their cranes of their ancestors, which after being cleaned and modeled are painted like the dead.

A discovery of Bhutan, a tiny landlocked country in the Himalayas. An approach to its economy, one of the few on this planet that can pride itself on its self-sufficiency. A meeting with its people, characterized by their religiousness and their incredible propensity to happiness.

The film is a free adaptation of a travelogue by Victor Segalen. In 1905, the writer described in “Les immémoriaux” the passage from the Maori world to another evangelized world. Marc Giannesine in an article published in Le Monde in 1987 wrote: “But beware, the adventure according to Segalen is a total change of life, of skin. For him, it is not a question of superficially aping the customs of the Maori, but of stripping his own culture in mind to better feel that of others. It is exoticism in the purest sense of the term, as Baudelaire understood it, an art of correspondences between the most diverse things. Henri Hiro, emblematic figure in the Pacific, of the defense of his culture, goes back in time for us by following the text of Segalen.

This superficial, psychological travelog is about a young man who goes to India, leaving behind the woman he once loved, to search for a spiritual awakening. His first such awakening comes in Calcutta when his baggage is stolen, but undaunted, he jumps on a cargo boat going up the sacred Ganges River and thus begins a journey that will take him to the home of a family in a small village and eventually up into the mountains -- long held to be the best places for spiritual discovery. If the internal life of the young man was described in terms of a turbulent past history, unconquerable emotions, trauma, or whatever it was that drove him to India, then viewers might find some inspiration in his journey. As it stands, most audiences would be hard put to sympathize with his search without a good reason -- though the external journey is poetically and eloquently filmed.