Bernd Alois Zimmermann

A fearless Antigone, refusing to allow the dishonored body of her murdered brother Polynices to be devoured by vultures and dogs, defies the Thebian tyrant Creon by burying him.

Nancy Shade is persuasive as the awkward adolescent Marie, whose naiveté leads relentlessly to her downfall. Michael Ebbecke is sympathetic as Stolzius, her jilted lover and avenger, while William Cochran is properly brutish as Desportes, the officer who initiates her spiral of decline. Bernhard Kontarsky gets a dedicated response from his Stuttgart Opera forces, who perform with belief in this often excessive but always engrossing work. Recorded at the Staatsoper Stuttgart, 1989.

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At the close of the 74th ARD International Music Competition, the best clarinetists, trumpeters, and pianists perform at the winners' concert. They are accompanied by one of the world's most renowned ensembles: the Bavarian Radio Symphony Orchestra, conducted by Sasha Scolnik-Brower.

From the Rai Arturo Toscanini Auditorium in Turin, the young conductor Michele Gamba leads the Rai National Symphony Orchestra for Rai NuovaMusica. The program features two major orchestral works by German composer Bernd Alois Zimmermann: Photoptosis, in its Italian premiere, and Stille und Umkehr. The concert continues with the Italian premiere of Enno Poppe’s Schnur for violin and orchestra, performed by violinist Francesco D’Orazio, and concludes with Iannis Xenakis’s Jonchaies for large orchestra.

The film authors cautiously approach the village of Gossliwil in Bucheggberg, Solothurn, with its 160 inhabitants, and sift through traces of a rural culture of survival under modern conditions without romanticization. Knowledge of the destructive threat of industrialization and the mechanisms of a global food market for the farming world is included in the research. The farmers themselves have their say; at the same time, their tradition is traced in pictures, deliberate narrative rhythm, repetitions and sayings. The result is a clever analysis of Swiss agricultural policy, whose clear structure never slips into nostalgia; a highlight of Swiss documentary filmmaking.