Robert Clary

The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.

An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.

No description available.

Hogan's Heroes is an American television sitcom that ran for 168 episodes from September 17, 1965, to July 4, 1971, on the CBS network. The show was set in a German prisoner of war camp during World War II. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the commandant of the camp, and John Banner was the inept sergeant-of-the-guard, Hans Schultz. The series was popular during its six-season run. In 2013, creators Bernard Fein through his estate and Albert S. Ruddy acquired the sequel and other separate rights to Hogan's Heroes from Mark Cuban through arbitration and a movie based on the show has been planned.

No description available.

A magical island hosted by Mr Roarke and Tattoo where weekly guests learn valuable life lessons in their pursuit of fulfilling their dreams. Not all dreams are fulfilled as expected.

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

The Colgate Comedy Hour is an American comedy-musical variety series that aired live on the NBC network from 1950 to 1955. The show starred many notable comedians and entertainers of the era, including Eddie Cantor, Dean Martin and Jerry Lewis, Fred Allen, Donald O'Connor, Bud Abbott and Lou Costello, Bob Hope, Jimmy Durante, Ray Bolger, Gordon MacRae, Ben Blue, Robert Paige, Tony Curtis, Burt Lancaster, Broadway dancer Wayne Lamb and Spike Jones and His City Slickers.

The Hollywood Palace is an hour-long American television variety show that was broadcast weekly on ABC from January 4, 1964 to February 7, 1970. Originally titled The Saturday Night Hollywood Palace, it began as a mid-season replacement for The Jerry Lewis Show, another variety show which had lasted only three months. It was staged in Hollywood at the former Hollywood Playhouse on Vine Street, which was renamed The Hollywood Palace during the show's duration and is today known as Avalon Hollywood. A little-known starlet named Raquel Welch was cast during the first season as the "Billboard Girl", who placed the names of the acts on a placard.

Masquerade is an American espionage television series that aired for a few months on ABC in the spring of 1983.

This syndicated anthology series staged a different play every week covering all genres, dramas, comedies, musicals, fantasies, mysteries, et al, utilizing some of the best talent appearing on Broadway.

Appointment with Adventure is a half-hour adventure/dramatic anthology television series broadcast live on CBS from 1955-1956. The program has no host. It aired at 10 p.m. EST on the Sunday evening schedule between the better known Alfred Hitchcock Presents and What's My Line? It ran opposite The Loretta Young Show on NBC and Life Begins at Eighty, a panel discussion series hosted by Jack Barry on ABC. The series aired fifty-three episodes, having premiered on April 3, 1955, near the end of the regular 1954-1955 television season. It ran throughout the spring and summer of 1955 and began its fall run on October 2, 1955, concluding new segments on April 1, 1956. In effect, the series ran for a full year without the summer rebroadcast period standard for most programs. Episodes centered upon wars in U.S. history as well as dramatizations from events from many places throughout the world, then and in the past. In the episode which aired on May 1, 1955, Polly Bergen, Dane Clark, and Hugh Reilly starred in "Rendezvous in Paris." Tony Randall and Jack Klugman, fifteen years prior to their television roles as Felix Unger and Oscar Madison, respectively, in ABC's The Odd Couple, appeared with Gena Rowlands, later on NBC's 87th Precinct, in the September 4, 1955, episode entitled "The Pirate's House." Randall also appeared two months earlier in the Appointment with Adventure episode "Caribbean Cruise."

Playboy After Dark is an American television show hosted by Hugh Hefner. It aired in syndication through Screen Gems from 1969 to 1970 and was taped at CBS Television City in Los Angeles.

No description available.

No description available.

E! True Hollywood Story is an American documentary series on E! that deals with famous Hollywood celebrities, movies, TV shows and also well-known public figures. Among the topics covered on the program include salacious re-tellings of Hollywood secrets, show-biz scandals, celebrity murders and mysteries, porn-star biographies, and "where-are-they-now?" investigations of former child stars. It frequently features in-depth interviews, actual courtroom footage, and dramatic reenactments. When aired on the E! network, episodes will be updated to reflect the current life or status of the subject.

No description available.

Colonel Franz Ritter, a former hero pilot now working for military intelligence, is assigned to the great Hindenburg airship as its chief of security. As he races against the clock to uncover a possible saboteur aboard the doomed zeppelin he finds that any of the passengers and crew could be the culprit.

Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.

Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.