Julio Matos

Doctor Rafidjian turns to Dora Lobo's investigation agency to locate prostitute Ana Cintia. The case is in charge of Bellini and Beatriz, his new assistant. But the doctor is brutally murdered and the detectives infiltrate the night underworld of São Paulo in search of an answer, where they meet Fatima, a mysterious prostitute who gets involved with Bellini.

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As Jack begins his gender transition process, Brazil is plunged into a wave of extreme conservatism. The film follows the transformations in his life and in the country, crossed by an extreme right-wing government and a devastating pandemic. Through an intimate account of the daily life of Jack and his friends, we see a network of affection and solidarity flourishing in the midst of an adverse context.

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A a doc-poem about the woman’s body: dissident, desiring, deviant, empowered, sweaty, throbbing, survivor. On the scene, four artists who defy standards, subvert standards and poeticize their bodies in acts of resistance and transgression.

Three generations of Kariri-Xocó indigenous people are set on an expedition to recognize the memorial territory of this people, stolen from them over the course of centuries of painful colonization. Their language, their knowledge and even their sacred rituals have been hidden as a survival strategy. Now, armed with cameras, drones, pipes, headdresses and maracas, they travel through the geographical landmarks of their territory in a road movie that is the preparation for new land retakes.

Come to a unique party in Brazil with trans woman Suzy Santos, where for one enchanted day she invites child-spirits called Erês to join her in a sacred ritual of music and dance. Suzy is a priestess of Candomblé - an Afro-Brazilian religion which is one of the few to welcome the vulnerable "travesti" and LGBTQI+ community. It’s not easy to be black and queer in Brazil; a country with deep structural racism where more trans people are murdered than anywhere else in the world. Shunned and cast out from their homes and religious communities, many trans women end up living as street prostitutes to survive. Suzy has created her Candomblé temple as a place of refuge and acceptance for all gender identities, where she guides her community in a religious ceremony to celebrate and incorporate the Erês.

Homeless people from two major Brazilian cities talk about themselves, fabulous their lives and reinventing themselves before the camera. They recognize and reveal different dimensions to be considered when addressing the issue of street populations. They point out subjectivities and the place of harm reduction in society.

Brazil and Angola while on either side of the Atlantic Ocean have the same language, a common colonial past and many shared stories. In this film, correspondence is exchanged between these two places – some people are longtime friends, others have never met. Their stories intertwine and tell about migration, nostalgia, belonging, war, prejudice, exile and distance. The search for identity and flow of memory are driven by the line of affection that binds the seven pairs of speakers presented in this documentary, people whose life stories are traced between Brazil, Angola and Portugal.