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Paul Garrin

Editing

Known For

Good Morning, Mr. Orwell
8.1

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Good Morning, Mr. Orwell

1984
A Human Tube
N/A

Analog video art by Paul Garrin with Ryuichi Sakamoto

A Human Tube

1985
All Star Video
6.5

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

All Star Video

1985
By Any Means Necessary
N/A

From suspected arson to illegal evictions, Paul Garrin’s documentary follows two years of police harassment of unsheltered people in Manhattan’s Lower East Side, as well as acts of protests and resistance in the fight for housing justice.

By Any Means Necessary

Adelic Penguins
N/A

Originally commissioned by the Sony Corporation of Japan and performed live on the JumboTRON, a fourteen-story TV set at the Expo in Tsukuba, Japan, Adelic Penguins is a collaboration between Fitzgerald, artist Paul Garrin, and composer Ryuichi Sakamoto (who also appears as a performer). Structured in six segments, this technical tour-de-force is a pyrotechnic fusion of sound and image, in which the dynamic visual imagery fully complements and heightens Sakamoto's staccato, percussive score. Fitzgerald and Garrin merge terrestrial and interplanetary worlds, in which Sakamoto's figure becomes an integral part of the landscape. Set aloft in the surreal world of the artists' invention, Sakamoto dances, floats and walks through a hyperkinetic universe.

Adelic Penguins

1986
Frames for Seconds
N/A

Video art show presented at the 1991 Broadcast Designers Association convention. Includes work from: Robert Ashley, Robert Breer, Peter Callas, Christen Clark, Sumit Das, Ed Emshwiller, John Hart, Jon Klein, Lyonel Kouro, Maureen Nappi, Paul Garin, Amy Greenfield, Nam June Paik, Mark Pellington, M. Rawlings, John Sanborn, Dan Sandin, William Wegman, Dean Winkler. Major contributions include "MAJORCA-fantasia", "Sunstone", "Welcome to My Living Room" and "Neo-Geo: An American Purchase", as well as excerpts from "Perfect Lives".

Frames for Seconds

1991
No image
N/A

No description available.

Processing the Signal

Living with the Living Theatre
N/A

One of Paik's most compelling and poignant tapes, Living with the Living Theatre pays tribute to Judith Malina and the late Julien Beck, founder of the Living Theatre. Reversing the theme of the earlier Allan 'n' Allen's Complaint, which dealt with two artists and their relationships to their fathers, Paik explores Malina and Beck's relationship to their children. Interviews provide the memories of actual lives lived together, while Betsy Connors' animated sequences transcend the specific to suggest the universality of childhood. Garrin and Paik edit these elements into an electronic synthesis that is at times dizzyingly psychedelic and always affectionate towards its subjects. Infused with personal and cultural memories that evoke time and place — Janis Joplin concert footage, Living Theatre performances — Paik creates a haunting and deeply moving homage.

Living with the Living Theatre

1989
No image
N/A

A video mural shows a large estate, complete with manicured lawn and handsome car parked flamboyantly in the drive. Before it, a video monitor shows a white pitbull dog who follows you along, snapping at your heels and barking like mad.

White Devil

1993