Ana Flavia Cavalcanti

Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

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Livia and Felipe are in a forbidden love story doomed to end tragically. A century later, they both have a new chance to make their love real again. “Time After Time” is an innovative romance set in two different eras in which characters hold the opportunity to make up for their mistakes, come to terms with the past and write themselves another story.

Lurdes is a mother of five who tirelessly seeks for Domenico, a child of hers who was sold by his own father 26 years ago; Thelma is an overprotective mother who finds out she has a terminal illness, and must race against time to make her dreams come true and prepare her son for a life without her presence; Vitória is a successful lawyer who sees the end of her marriage after countless failed attempts to have a baby and decides for adoption, but finds out she is pregnant during the process. In "A Mother's Love", the lives of these women are intertwined while they recognize themselves in the unconditional love provided by motherhood.

Beatriz Dourado, a young black woman marked by abandonment, searches for answers about her past and discovers that her mother, Clarice, left her to pursue her career in Rio de Janeiro. With devastating revelations and a new love, Beatriz faces adversity and transforms her pain into power, fighting to conquer her place in the world.

Karin, Magali and Luna are three call girls, who decide to apply some marketing knowledge on the world's oldest profession.

Inside a chaotic emergency room in Rio de Janeiro, a team of doctors are torn between their internal personal conflicts, the difficulties of the profession and the surprising dramas behind each patient‘s history, in a heroic attempt to save lives...See more

Two neighboring couples are shocked after their teenage children's fight, with absurd consequences. What could be a common misunderstanding grows and reveals the limits and influence of parents in raising children.

After being released from a juvenile detention center, Wellington finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. During a visit to a porn theater, he encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion, oscillating between exploitation and protection, jealousy and complicity.

Doctors, nurses and drivers of a special mobile service unit navigate personal and professional dramas while burdened by the responsibility to prevent others from dying.

Amanda faces her own private war, faced with an intimate and destructive relationship with drugs, constant family pressure and the fragility of her marriage with Miguel.

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Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.

The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously his most personal and most provocative film. A film about growing older, about losing, about the special moments one remembers, and about the director's own circling around the essence of eroticism.

Reinaldo's wife is in a vegetative state, bringing him to decide to euthanize her to end her suffering. However, as if by a miracle, she wakes up. Reinaldo did not know it, but he was being filmed at the time. Samuel, a failed pastor, offers Reinaldo — now drowning in medical debt — money to be a preacher, sending the atheist Reinaldo down a strange and unlikely path to become a religious leader.

After 15 years of living abroad, Amanda returns home with her French boyfriend, Martin. They arrive at her family's large-scale farm, located in a secluded village on the endless plains of southern Brazil. There, Amanda finds her father in a coma in the midst of increasing tension among the workers. The sole doctor in the nearby village is Helô, a young woman who resigns herself to caring for the local townspeople. The imminent death of the farm owner will put Amanda, Martin, and Helô at the heart of a disturbing settlement between the village and the farm owners.

Rejane returns to her hometown, Paraíso, in search of answers to her brother's murder.

An older man begins to work in a modern dairy factory. He feels distant and does not identify with the place, the people and even the society. Little by little, he is approaching cows and oxen, transforming into an animal and returning to his ancestry.

In Bocaina, Minas Gerais, two sisters live peacefully and in isolation until the arrival of an outsider to the region. The plot follows in the footsteps of Zulma (Malu Gali), Musk (Ana Flavia) and Josevelt (Alejandro Claveaux). Josevelt is the mysterious fellow who, along with these two conflict-filled women, helps them free themselves from their restraints. Under the context of a pandemic, the narrative addresses the feeling of suspension and uncertainty, so present today.

Sandra returns to her cousin Mariana’s house in search of a photo of her late mother, who worked as a live-in maid for Mariana’s parents. Although they were raised together, Sandra, a dark-skinned Black woman, and Mariana, a light-skinned Black woman, experienced that house in vastly different ways. Their reunion forces them to confront long buried memories, issues of race, family, and belonging, while a supernatural force lurks around them.