Marcelo Novais Teles

1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

After leaving France in search of a better life in America, a television producer returns with a group of burlesque dancers to take the Paris club scene by storm.

Based on the legend of Tiresias, it tells of a transgender woman who is kidnapped by a man and left to die in the woods. She is then saved by a family and receives the gift of telling the future.

Madagascar, nowadays. Kwame, 20, struggles to make a living in the clandestine sapphire mines. An unexpected event takes him back to his hometown. As he reunites with his mother and old friends, he finds himself confronted with the rampant corruption plaguing his country. He will have to choose between easy money and loyalty, between individualism and political awakening.

No description available.

A television director decides to use his own life and marriage as an inspiration for his latest project.

Marcelo Novais Teles, a young Brazilian, arrives in Paris to become an actor. But he is caught up in a very intense love as well as professional life; that's when he choses to film everything as time progresses. Dinner, parties, rehearsals, friendly and family meetings, falsely profound conversations, trips to Europe, etc. THE EXILED is the magnificently happy montage of these sequences, home movie of an obvious and chronic happiness, where the insolence of youth and its beauty are displayed. There are many well-known faces of actors who have become famous since then, which adds to the charm continuously lavished by these innocent images. Self-portrait in the form of a generational portrait, where the love of art crosses the art of living, the exile here is in the land of happiness.