Telly Leung

Follows the personal and professional lives of a group of doctors at Seattle's Grey Sloan Memorial Hospital.

The third installment of the “Law & Order” franchise takes viewers deep into the minds of its criminals while following the intense psychological approaches the Major Case Squad uses to solve its crimes.

In this musical comedy, optimistic high school teacher Will Schuester tries to refuel his own passion while reinventing the high school's glee club and challenging a group of outcasts to realize their star potential as they strive to outshine their singing competition while navigating the cruel halls of McKinley High.

The new medical director breaks the rules to heal the system at America's oldest public hospital. Max Goodwin sets out to tear up the bureaucracy and provide exceptional care, but the doctors and staff are not so sure he can succeed. They've heard this before. Not taking "no" for an answer, Dr. Goodwin's instinctive response to problems large and small is four simple words: "How can I help?" He has to disrupt the status quo and prove he'll stop at nothing to breathe new life into this underfunded and underappreciated hospital, returning it to the glory that put it on the map.

A gritty, action-packed crime drama set during the brutal Tong Wars of San Francisco’s Chinatown in the second half of the 19th century. The series follows Ah Sahm, a martial arts prodigy who immigrates from China to San Francisco under mysterious circumstances, and becomes a hatchet man for one of Chinatown’s most powerful tongs.

Dr. Dylan Reinhart, a gifted author, university professor and former CIA operative is lured back to his old life by tenacious top NYPD Detective Lizzie Needham. Though Dylan and Lizzie initially clash, when it comes to catching killers, they make an ideal team.

Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.

60 years ago, on May 3, 1960, at the tiny Sullivan Street Playhouse in Greenwich Village, The Fantasticks opened on the sparsest of budgets and ran uninterrupted for nearly 42 years, closing on January 13, 2002 after a record 17,162 performances. Its elegance and simplicity endured four decades of the chaotic world going “Round and Round” while its creators continued their evolution into several uptown successes. Including 110 In the Shade and I Do! I Do!, the jewel box of creativity that is the Jones and Schmidt collaboration is perhaps the most steadfast of its kind.

A young orphan bear named Bongee befriends Princess Katrina. When the witch Bandrilla casts a spell on the people of the Kingdom preventing them from doing what they love most, dancing, Bongee Bear set out to break the spell.

Elegies for Angels, Punks and Raging Queens is a celebration of the lives lost to AIDS told in free-verse monologues with a blues, jazz and rock score.

A quarter century ago, Jonathan Larson’s groundbreaking musical, RENT, opened at New York Theatre Workshop. From its humble beginnings at NYTW, this rock musical went on to shape a generation. What began in the East Village traveled to Broadway, across the nation and around the world. On March 2, 2021, NYTW held its biggest fundraising event of the year, 25 YEARS OF RENT: MEASURED IN LOVE. This virtual celebration of RENT and its impact on the collective cultural consciousness featured a selection of iconic songs by some of today’s most beloved recording and theatre artists, exclusive content uncovering how RENT came to life, and reflections on the driving force of Jonathan’s legacy in the American theatre.

Join the American Pops Orchestra and Music Director Luke Frazier to pay tribute to the unforgettable male characters and beloved songs that have defined musical theater throughout the decades. Featuring Christian Borle, Jacob Gutierrez, Christopher Jackson, Telly Leung, Norm Lewis, Alexis Michelle, Matthew Morrison, Nic Rouleau, André De Shields and Paulo Szot.

Inspired by the true-life experience of its star George Takei, Allegiance follows one family's extraordinary journey in this untold American story following the events of Pearl Harbor. Their loyalty was questioned, their freedom taken away, but their spirit could never be broken.

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The groundbreaking works of Richard Rodgers, most famously in his collaborations with Lorenz Hart and Oscar Hammerstein II, gave us the foundation of the modern musical form. But Rodgers also left a family lineage that has enriched the craft in abundant fashion. In a loose song cycle format, this program will weave his work with the charming and witty creations of daughter Mary Rodgers (Once Upon a Mattress) and the complex and extraordinary palette of grandson Adam Guettel (The Light in the Piazza, Floyd Collins), as we look toward the progression of musicals over the decades and into the future.

It is said that Jule Styne published over 1,500 songs in his lifetime, a staggering number that spans decades and includes dozens of collaborators. Beginning with Sammy Cahn in the 1940s, his lyricists would include names like Betty Comden, Adolph Green, Leo Robin, Bob Merrill, and Stephen Sondheim. Styne wrote some of our most famous songs and classic Broadway hits, with a multitude of lesser-known work along the way. The lasting power of star vehicles like Gypsy and Funny Girl has remained throughout every sea change of cultural mood and sentiment.

As a celebration of our performers, and the necessary medium of film to tell these stories at this moment in time, this special program presents some of the best songs specifically written for film ever since the genre first achieved the technology to capture sound. A diverse concert of hits like “Moon River” and “The Man That Got Away” mixed in with other songs from decades of film history offers a look at the effect of these songs on an audience and how, even in a non-musical film, music is key to unlocking the emotional journey of storytelling.

This program is set among excerpts of letters and archival interviews with George Gershwin and his brother and lyricist Ira Gershwin, his longtime musical collaborator Kay Swift, and the legendary pianist Oscar Levant. The words of Todd Duncan and Anne Brown, the original Porgy and Bess, provide an intimate perspective on the creation of Gershwin’s “folk opera” and the invaluable contributions of its performers. Peppered among hits like “Embraceable You” and “Love Is Here To Stay” are pieces of essays written by George Gershwin in which he pondered and pontificated on the meaning of “jazz” and the definition of “music” itself. Asserting his constant effort to eschew genres, Gershwin wrote: “From any sound critical standpoint, labels mean nothing at all. Good music is good music, even if you call it ‘oysters.’”