Slobodan Tišma

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

Druga linija aka The Other Line is a product of many years of research of neo-avant-garde cultural and art scene in Novi Sad, Serbia (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlinale). The cultural and artistic emancipation of that time had implied individual freedom of expression and strong reaction to established boundaries. This avant-garde movement had become threat to communist establishment, the authors' work were sabotaged, the films were sealed off, five artists were taken to trial, two were sent in prison. How is it that the retrograde mechanism of shutting down and removing the most creative and representative progressive impulses of our surrounding is still so current to this day?

A documentary about Novi Sad’s rock band Boye, which in the early 80s gave life to female spirit in Yugoslavia’s r’n’r music, fully aware of the type of music they chose, managed to position themselves on, up to then exclusively “male” scene and forced themselves as the original occurrences.

It represents a timeline about some of the most important, but vanished places for youth gathering in Novi Sad. It tells a story about places that were used by young people to develop their creative side, to learn, exchange knowledge and ideas and to socialize. The film covers an important period from the 60s to the mid 90s. How important were "Youth Forum", "Studio 24" and "Yellow House" for the young people of that time and why are these places no longer present?

Documentary about Novi Sad-based rock band Obojeni program (Coloured Program).

A punk rock Kafka story: the disabled Son buys an amp and a guitar. He meets a girl and starts a punk band with her. At the same time, the Father finds out he has lung cancer. Being brutally cynical, one could say that while Father is fading out in the other room, the son is playing him a punk lullaby. Sense of guilt and misunderstanding prepares the final conflict…