Staffan Hedqvist
Production
Known For

A film about the 1931 Ă…dalen shootings, in which Swedish military forces opened fire against labour demonstrators in the Swedish sawmill district of Ă…dalen.
Adalen 31

A farcical biopic about Pablo Picasso, from his early years, to his middle years, to the years right before his death, and some of the years before and in-between that.
The Adventures of Picasso

Sussie is 15, raised with her alcoholic mother and an absent father. She has lived in several foster homes. Now she gets one last chance with a new family, the Lindgren's who live in a large house by the sea.
Love Me!

The Swedish 19th century engineer Salomon August Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two friends. The balloon, "The Eagle", takes off from Svalbard in 1897, but the three men are never heard from again.
The Flight of the Eagle

Göte is an alcoholic dockworker who wants to turn his life around to get his son back.
Ungkarlshotellet

Portrait of Ingmar Bergman, made while he was working on The Touch, about his professional and private life in the early 1970s.
Ingmar Bergman

No description available.
Kvartetten som sprängdes

Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in BĂĄstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.
The White Game

A father and his son move to small village in the south of Sweden. One day, the boy finds an injured bird. He skips the school and spend more time in the woods with the bird.
Good People

A young man returns to his parental home where his mother has lived alone as a widow for many years.
Fly till vatten och morgon

Critical documentary about urban planning in the city of Stockholm. Made by students at the Swedish Film Institute's film school. The film created a great debate in Swedish media and especially between the film institute's CEO Harry Schein and the filmmakers.