Marcel Gallon

Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

The Marquis Rodolphe de Sombrueil accidentally runs over a working man with his carriage and helps his widow -- unjustly accused of robbery -- to find her missing daughter.

Léopold, valet de chambre to the avocat général Maître de Royssac, starts studying the penal code and, during his leave, becomes a judge in a "middle" court. His decisions are recognized as final. Léopold falls in love with Agnès, engaged to the two-faced Doctor Ventoux, who becomes "Le chat" when he plays the gangster. Léopold will help "Le chat" pull off the heist of the century, if he remains free to court Agnès. "Le Chat" doesn't play along. A fight breaks out between Léopold's gang and "Le Chat's" gang. The law must prevail.

Italy during the Napoleonic wars: A French General and his Adjutant are separated from their unit get beyond the enemy lines. There they meet Carlotta the resolute daughter of an Italian Count, who cannot withstand the charm of the French.

Éric Rohmer's short for the portmanteau film Paris vu par (Six in Paris, 1965), concerning a haberdasher and his umbrella. Convinced he has killed a man, Jean-Marc flees and spends an anxious few days waiting for the death of the stranger to be reported in the newspapers...