Res Balzli

Filmmakers Nicolaus Humbert and Werner Penzel examine the nature of nomadic existence in this documentary, from the literal nomads of North Africa to the more metaphorical kind of wanderer, such as American poet and ex-pat Robert Lax. Humbert and Penzel focus especially on the nomad's paradoxical ability to fully inhabit every moment while remaining coolly detached from specific locales and anxious thoughts about the past or future.

SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.

Irma and Henry live the dream of eternal love, which might end badly. A whimsical tale about old age.

Abstinence leads to suffering, falling off the wagon means death. Tinou must adhere to a strict regimen to qualify as a recipient of a new liver. Aschi is also suffering: from the lacklustre present, which seems to render his brilliant past all the more magnificent. But he retrieves the past in a letter from South Africa.

An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.

Grimsel-West was the name of a project for the expansion of the hydroelectric plant in the Hasli Valley. Submitted on 30 June 1988, its realization seems fairly improbable for the moment. Originally conceived as an expression of opposition to the construction of a new dam, the film tries to fathom the undercurrent of apprehension caused by such plans to exploit the environment.

No description available.

Europe is not a place, but an idea: Europa is a woman, and she is Greek; hers is a history so long, so full of wonders and horrors, of successes and failures, that the moral values that governed her existence have ended up changing radically over the centuries, to the point of losing any meaning and finally disappearing.

Two dissimilar types – the earnest impassive Bede and the easy-going Luki – suddenly find themselves thrown together. Their difficulties with women, the world, each other and themselves force them to search together for their own way. Hesitant and somewhat helpless, they turn to each other. Thus begins an obstacle race that is not without ist amusing side.