Josef Pohl

Second part of the trilogy. Vasek is expected to go to Bulgaria for a holiday with his parents during the summer vacation, but the boy finds the prospect of spending the summer with his gamekeeper grandfather far more tempting than the seaside. On the last day of school Vasek picks up his final report, but after that he takes his already packed bag and sets off for the Bohemian Forest without telling his parents. The grandfather is happy to have his grandson at his side again. In the evening, he gets a phone call from Vasek's mother. The trip to Bulgaria has been postponed and Vasek can stay with his grandfather for the time being.

The gamekeeper Straka lives by himself in the Bohemian forest hill. He has quarreled with his only son. He cannot come to terms with the fact that his son has abandoned his beloved forests and settled in a town. He has never even met his grandson Vasek. Following an illness, however, little Vasek needs some country air, and so one day his mother Jarmila delivers him to her father-in-law's cottage. At first Straka is angry, but Vasek is an unaffected lad and throws himself with verve into all the little adventures that the forest provides.

Lying in the construction industry used to be a criminal offence, but skilful people could do a lot of things. This somewhat embarrassing tragicomedy convinces us that even builders should be honest. The protagonist here is a moral designer who occasionally drops in to sing to enjoy something other than work.

In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.

At the Ronov castle, the archive-keeper professor Nykl (Milos Nedbal) is searching for the lost painting The Naked Shepherdess by the famous Fragonard. Nykl is just about to disassemble the mantelpiece in the knight's hall, convinced that the painting must be hidden somewhere inside. His efforts, however, meet the strong disapproval of the castle manager, Anna Juzová (Jirina Petrovická), who knows very well where The Naked Shepherdess is. She wants to get hold of the painting herself, to emigrate and smuggle it along. In fact, Anna deals with forgeries of the most distinguished old masters, selling them abroad. The copies are made for her by the painter and restorer Maudr (Martin Ruzek) and the certificates of authenticity are issued by Anna's companion - expert Laburda (Karel Höger). One day, Anna is found murdered in front of the castle's fireplace.

Third part of the trilogy. Vaska again is visiting his grandfather living in Bohemian Forest and understands the importance of guarding nature.

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