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A wealthy, scheming rival attempts to halt the marriage of Prakash and Rani through blackmail, but the young lovers and their friend execute a cunning counter-scheme to expose the plot and ensure a double wedding.
Nightingale (Kokila) is a 1937 Hindi social family drama film directed by Sarvottam Badami
Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.
A. R. Kardar’s Pooja tells a disturbing story of two estranged sisters whose lives are fractured by a violent act of revenge and years of buried truths.
A social drama that focuses on the struggles of a cherished daughter as she navigates societal expectations and family conflicts that threaten her personal happiness and romantic choices.
Mehboob presents the autonomous passion of Leela (Rose) for Moti (Motilal) who is promised to another woman, Bina (Maya). Leela is portrayed as irresponsible and impulsive as she acknowledges her desire for Moti and has a child by him. Bina then releases Moti from his promise. Moti suffers when he is told by Bina’s father (Sankantha) that she is dead, while Leela’s father (Pande) enjoins his daughter to commit suicide if Moti does not marry her. In spite of the film’s endorsement of ‘traditional’, lethally oppressive patriarchal mores, incarnated by the women’s fathers, Mehboob’s narrative at least dares to depict a woman who refuses to feel guilty about her desire.
The story follows a brave man who rescues a sweet girl from criminals, and they fall in love. An incident causes trouble, leading to consequences for the family and the criminals.
This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.
1939 Mehboob Khan film
A rich, fatherless young man named Vijay faces betrayal when his greedy brother-in-law, Kampta Prasad, plots to seize his inheritance. Led astray by city life and losing his fortune, Vijay's struggles are silently supported by his devoted sister. But when Kampta Prasad sets his sights on Vijay's childhood sweetheart, Dulari, a vengeful Vijay returns, ultimately becoming a brilliant eye specialist who holds Kampta Prasad's fate in his hands. It's a gripping melodrama of deception, resilience, and poetic justice.
Bollywood 1950
Childless farmer Ram Dayal comes across an abandoned child, who had landed from a spaceship, takes him home to his wife, where they decide to adopt him and name him Jaikumar. When he grows up he excels in wrestling, overcoming even much older children. Then he uses his powers to discover buried treasure, which his foster father donates to the Government. Years later, Jaikumar has re-located to Bombay where he works as a Journalist with a publication called 'Azad Desh'. Using his super-powers, he is able to unearth a number of criminal conspiracies and makes phone calls as 'Mr. Superman' to Inspector Dilip Desai. Then a series of robberies take place and the police are notified by victim/complainants that the culprit is none other than the masked caped crusader himself. Watch what impact this has on Jaikumar's credibility with the police and public on one hand and with gangsters on the other.
On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.
Thakur’s music-dominated debut tells of a love triangle involving the famous gramophone singer Sundardas (Surendra) who is happily married to Mohini (Prabha), and the even more popular singer Tilottama (Bibbo), who falls in love with Sundardas’s voice and wants them to sing a duet and have an affair. Ghosh Babu (Advani) is the manager of the record label.
A former theater owner and his crippled daughter live in poverty until a chance encounter with a young pickpocket brings romance for the petty criminal and daughter as well as a chance by the father to get back at the villainous new theater owner who ousted him from the business years before.
A neglected wife, Indira, schemes to win back her philandering bank manager husband, Bihari. She uses an unwitting musician, Madan, as a pawn, making him fall for her until her husband's jealousy is ignited. Once Bihari returns, Madan is quickly married off to the daughter of a poor clerk, Mohan, to neatly tie up the loose ends.
Film starring Ruma Guha Thakurta, Aga Jaan and Vikram Kapoor
Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.
A hero and a heroine, a villain and a Vamp and a few comic sequences are there mainly for your entertainment.
An unemployed graduate uses his charm to help a blind beggar. He then falls for a rich heiress and convinces her industrialist father to open a factory for the poor. It's a success, but a jealous fiancé tries to shut it all down and frame our hero. Can truth prevail and save the struggling community from returning to poverty?
