Acting
The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.
Satoshi Itomura is an assistant police investigator who belongs to the Metropolitan Police Department’s Scientific Investigation Team. Reenactments, fingerprint and voice data collections, profiling... His team collects scientific evidence and pieces together fragments of information in order to help build evidences. However, Itomura often does not care about the scientific approach and instead pays a great deal of attention to the things that the victims always carried with them or treasured. And he focuses on these things because they usually carry the victim’s dying wishes, understanding that last message not only helps solve the cases but also brings closure to the depressed family of victims.
In 2009, peace returned to the world thanks to the efforts of the United Fire-Defense Agency's Rescue Force. However, a crisis once again descends upon the world as the Zakaen, an ancient race sealed within the Arctic glaciers, are released and begin their activities. The Zakaen, capable of freely manipulating flames, unleash "Super Fires"—a threat far greater than a super-disaster—plunging the globe into chaos. Following in the footsteps of the Rescue Force, which had expanded its operations globally, a new special forces unit called "Rescue Fire" is established. They protect people by "explosively extinguishing" the Zakaen's Super Fires.
When a mafia leader is killed, his son and the deadliest assassin in the mafia compete in order to be the new leader.
The Naito Shinjuku Family, a hereditary organization where only those of the Washio bloodline can inherit leadership. Under a calculated scheme, Wakagashira Yuki Kanemaru eliminates the 12th-generation leader, Gunji Washio (Hitoshi Ozawa), in a bid to fulfill his fateful mission of establishing Washio Kiyoharu (Kazuyoshi Ozawa), Gunji’s long-buried sworn brother, as the rightful 12th leader. In a shocking turn, Kanemaru engulfs the Naito Shinjuku Family in flames and meets his end through self-immolation. As Shateigashira Hosa (Yoshiyuki Yamaguchi) pushes to restore order by advocating for Taiga Washio (Haruto Ochiai) as the 13th leader, the situation spirals further out of control with the release of Shuyu Ohgami (Norimasa Tomie), a former Naito Shinjuku Family member, from prison...!
The fifth 'YOKOHAMA BLACK' film.
A specialized assassination team belonging to the Sagamimutsumi syndicate declares all-out war when rival factions start closing in.
Attorney Noboru Shigami (Hitoshi Ozawa), known by the nickname “The Courtroom Reaper,” once served as legal counsel to a yakuza organization. Now, together with his assistant Koji Toda (Sho Aoyagi), he runs the Harukaze Law Office. Shigami is asked by Seigo Kishi (Shinzo Hotta), the first chairman of the Kishi-gumi, to defend Shinya Narumi (Masataka Fujishige), the wakagashira of the second-generation Kishi-gumi, who is currently undergoing mediation. Heading to court underprepared, Shigami faces prosecutor Mika Akiyama (Nagiko Tsuji). During the proceedings, he senses something off about Narumi’s testimony. Meanwhile, Toda uncovers new information about the Kishi-gumi, prompting Shigami to dig deeper into the truth behind the case.
As the Naito Shinjuku family’s split conflict deepens into even greater chaos, Reiji Toki (Yoshiyuki Yamaguchi) is defeated after a battle beyond human understanding with Kiyoharu Washio (Kazuyoshi Ozawa). In this dire situation where Reiji’s life hangs in the balance, a tense atmosphere begins to spread even within the faction supporting Taiga Washio (Haruto Ochiai). Tetsutake Yu (Takashi Kuroishi) grows suspicious of former violent crimes detective Shinichi Akiba (Yasukaze Motomiya) acting alone and locks him up. However, this is part of a scheme by the faction led by Akira Shiba (Kunihiko Ida), who wants to place Seiharu in power and rewrite history. Amidst this turmoil, Hideyoshi Ogami (Norimasa Fujie) steadily strengthens ties with the president of the Osaka Namba-kai, Masami Yukimura (Takashi Ukaji), and the chaotic three-way struggle intensifies!
The sixth 'YOKOHAMA BLACK' film.
The movie depicts the confrontation between younger brother Akira Miyamoto (Shunya Shiraishi) and older brother Atsushi Miyamoto (Ryohei Suzuki) on Higanjima.
In order to fulfill the fate and great cause of placing his sworn brother, Kiyoharu Washio (Kazuyoshi Ozawa), who had been buried in the darkness until now, as the 12th generation leader of the Naito Shinjuku family, Yuki Kanemaru (Masaya Kato) covered the office with flames and ultimately met his end in self-immolation. Just as he passes away, former 12th generation underling, Hideyoshi Ogami (Norimasa Fujie), is released after serving a long prison sentence. This leads the Naito Shinjuku family into a three-way struggle: Toki Reiji (Yoshiyuki Yamaguchi) and his faction who support Taiga Washio (Haruto Ochiai) as the 13th generation, the faction led by Akira Shiba (Kunihiko Ida) who seeks to put Seiharu in power and rewrite history, and Ogami’s faction. Finally, the president of the Osaka Namba-kai, Masami Yukimura (Takashi Ukaji), reveals himself, and the story is about to connect to a new bloodline!
Sequel to 'YOKOHAMA BLACK'.
No description available.
The third 'YOKOHAMA BLACK' film.
The fourth 'YOKOHAMA BLACK' film.
A hero called the legendary third baseman in the former prestigious grass baseball team "Peanuts", will start to rebuild the peanuts that have now turned into weak teams from the outset. Peanuts are going to fight against the team of strong teams, taking advantage of the redevelopment of the city where Captain Sagara lives.
Despite growing up in a single-parent household, Maria was never that close with her mother. As an adult herself, she is thrust into being responsible after her mother suddenly dies. As she sorts through her mother’s belongings, she finds CDs, photographs, a diary, and an unplayable demo tape named “MARIA” that her mother had collected when she was around Maria’s age. Curious about her mother’s past, Maria heads to a live music club and this is where she encounters the musical culture of… Visual Kei.
