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Malcolm Goldstein

Sound

Known For

Flux-Concert
N/A

On March 24, 1979, The Kitchen presented a two-part program dedicated to the work of various Fluxus artists. The programming began with the premiere of Alison Knowles’s “Natural Assemblages and the True Crow.” For the piece, Knowles engaged in a dialogue with her own taped voice, which read aloud selections from various natural history books. Simultaneously, violinist Michael Goldstein provided an improvised score while dancer Jessie Higgins executed a number of one-movement phrases by following instructions on index cards. The second part of the night’s programming consisted of forty rapid performances—most sixty seconds or less—by various Fluxus members, including Yoko Ono, George Brecht, La Monte Young, and Nam June Paik. Ken Friedman and Larry Miller coordinated this portion of the event.

Flux-Concert

1979
No image
9.0

Diane the Zebra Woman follows four women’s misadventures through the streets of New York City in 1962. All played by Flame Schon, the characters consist of The Detective, The Mother, The Child, and the Medium. Evocative of the scene from which it emerged, the film features cameos from integral figures like William Levy, Jonas Mekas, Paul Morrissey and features an original score composed by Malcolm Goldstein.

Diane the Zebra Woman

1962
But One Bird Sang Not
N/A

Scratched directly onto 35mm film stock, this abstract film is a visual interpretation of a piece for solo violin based on a Bosnian popular song from Bosnia-Herzegovina. The composer, Malcolm Goldstein, describes it as a gesture of hope for peace in that land ravaged by war during the 1990s.

But One Bird Sang Not

2018
Trees of Syntax, Leaves of Axis
5.3

The film explores familiar landscape imagery Saïto and Goldstein share in their neighbourhood at the foot of Mount-Royal Park in Montréal, Canada. Using the images of maple trees in the park as main visual motif, Saïto creates a film in which the formations of the trees and their subtle interrelation with the space around them act as an agent to transform viewer’s sensorial perception of the space portrayed

Trees of Syntax, Leaves of Axis

2009
All That Rises
2.0

Juxtaposition of seeing and sounding, sky and stone and all that's in between. A short walk in an alleyway, to hear vision sounding images, blessed with light and darkness.

All That Rises

2007