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Aimée Stuart

Writing

Known For

Fanny by Gaslight
5.5

Returning to 1870s London after finishing at boarding school, Fanny winesses the death of her father in a fight with Lord Manderstoke. She then finds that her family has for many years been running a bordello next door to their home. When her mother dies shortly after, she next discovers that her real father is in fact a well-respected politician. Meeting him and then falling in love with his young advisor Harry Somerford leads to a life of ups and downs and conflict between the classes. Periodically the scoundrel of a Lord crosses her path, always to tragic effect.

Fanny by Gaslight

1944
The Wicked Lady
6.3

A married woman finds new thrills as a masked robber on the highways.

The Wicked Lady

1945
Dieciséis años
6.8

A naive teenager faces a distressing reality that will force her to mature and face her emotions.

Dieciséis años

1943
Borrowed Clothes
7.0

Lady Torrent attempts to sell some of her best Parisian gowns to get back into her husband's good books. Confusion ensues following a misunderstanding over an advertisement.

Borrowed Clothes

1934
Let's Be Happy
5.4

On receiving an inheritance from her grandfather, Canadian Jeannie MacLean decides to visit the family's Scottish roots. On the plane she meets businessman Stanley Smith, and romance blossoms in Edinburgh. The complications begin when Stanley breaks a date with Jeannie to woo voluptuous redhead Helene, and Jeannie is flattered by the attentions of the impoverished Lord McNairn; he's heard about her good fortune, and gallantly offers to show her the city.

Let's Be Happy

1957
The Golden Madonna
6.0

Patricia (Phyllis Calvert) throws away a painting members of her Italian village consider to be extremely lucky. She goes to great lengths in her attempts to locate it again and bring it back.

The Golden Madonna

1949
Jeannie
7.7

Based on Aimee Stuart's play. Little Scots girl decides to use her inheritance for a "grand tour" of the Continent.

Jeannie

1941
No image
7.0

Two women of different social backgrounds work together in a dressmakers.

Nine Till Six

1932
The Girl Irene
7.6

A woman (Lil Dagover) who has lost her husband falls in love again, but is bitterly opposed by her daughters especially the title figure who can't stand the thought of seeing her mother going into a relationship with another man. Those who want to see if Schünzel can pull of drama as easily as he does comedy should give it a try.

The Girl Irene

1936