Carmiña Martínez

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

Itzia is a deaf woman who claims to have started hearing a peculiar music that always comes from the same cardinal point. In the village where she lives, people believe she is going crazy and try to convince her to see a doctor. But Itzia is certain that these melodies are not a product of her imagination. To prove she is not insane, she will have to embark on a journey to find the source of the music.

The women of a prosperous provincial family hide unsuspected secrets which range from the entanglements of love to murder for mercy or for greed. The story of these eccentric women combines love, potions, black humor and death.

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Martha (45), a mother who lost track of her son due to the conflict, receives the news that there was no bone concordance in the last exhumation she participated in. Exhausted of the institutional channels, she turns to a group of women searchers and meets Sandra, who tells her a rumor: “in a remote village on the flatlands of Colombia, you can request a favour from a dead person”. Together with Sandra, they embark on a journey in search of answers, blurring the line between the living and the dead. Mothers searching for their children, children searching for their mothers: two sides of the same scourge converge in search of peace.