Michael Daviot

The story of Claire Randall, a married combat nurse from 1945 who is mysteriously swept back in time to 1743, where she is immediately thrown into an unknown world where her life is threatened. When she is forced to marry Jamie, a chivalrous and romantic young Scottish warrior, a passionate affair is ignited that tears Claire's heart between two vastly different men in two irreconcilable lives.

Many years after the war has been lost, and all the dragons slain, a lone knight travels the lands of Agonos seeking to raise an army against the demon lord Abaddon. When a healer's vision reveals that one dragon still lives, and together with an eager young squire, the knight sets off in search of the fabled creature. As the armies of Abaddon descend on the human kingdoms, the dragon is their last hope of fending off the horde, before it lays waste to the lands of men. But does the creature even exist? And if it does, will it fight for them once more?

Princess Emmy has a secret gift – she is the only one in the kingdom of Kandis who can speak to horses. She has a wonderful time with her best friends, a stable full of amazing horses. When her scheming cousin, Gizana, appears, Emmy’s chance to become an officially inaugurated princess is threatened. She must undergo a test for the right to keep her special gift.

With a central theme of the medical macabre, Amicus Productions' new anthology draws inspiration from the iconic British horror label's 1960s and '70s classics “Dr. Terror’s House of Horrors,” “Tales from the Crypt” and “Asylum,” and spotlights four tales rooted in the works of revered authors such as H.P. Lovecraft, Ambrose Bierce and E.F. Benson.

When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.

In the 1980s, a scientist documented the trial of his new invention: a device that reveals what you see when you die. This is the footage.

Set within the confines of a 1950s psychiatric hospital, the film unfolds through a series of recorded patient interviews that gradually uncover a deeply disturbing reality hidden beneath the institution’s calm exterior. As fractured testimonies begin to overlap, a sinister presence known only as the “Shadow Man” emerges from the darkness at the centre of the hospital’s experiments.