Gilles Gascon

In this French Canadian film, the lives of teenagers are examined in fantasy sequences and through the use of documentary interviews. Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. The fantasy sequences make creative use of animation, unusual film-development techniques, and stills. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. Jutra's style in "Wow" exhibits his innovative approach to storytelling and filmmaking, showcasing his talents as a director during that period. With English subtitles.

Here is a graphic picture of the tobacco harvest in southwestern Ontario. At the end of July, transient field workers move in for a brief bonanza when the plant is ripe. The tobacco harvesters call it "the back-breaking leaf."

This short documentary (the second of two parts) follows Glenn Gould to New York City. There, we see the renowned Canadian concert pianist kidding the cab driver, bantering with sound engineers at Columbia Records, and then, alone with the piano, fastidiously recording Bach's Italian Concerto.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

In Nigeria, a young Canadian doctor serves in a local mission hospital and learns much from the experience. Stationed abroad under the Canadian University Service Overseas Plan, Dr. Alex McMahon and his schoolteacher wife find every day a fresh challenge. An interesting study of intercultural help.

Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.

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Canadian concert pianist Glenn Gould enjoys a respite at his lakeside cottage. It is an aspect of Gould previously known only to the collie pacing beside him through the woods, the fishermen resting their oars to hear his piano, and fellow musicians like Franz Kraemer, with whom Gould talks of composition. (First of two parts.)

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Explorer, colonizer, founder of Québec, discoverer of Lake Champlain, governor of New France, cartographer and writer - few men in Canadian history had a more adventurous and varied career than Champlain. This film presents an exciting picture-study of the man and his time.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

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1966 PARCS ATLANTIQUES Best Short Film Award, UNESCO, Brussels, 1967 An exploration of three of Canada's national parks: Fundy, Prince Edward Island, and Cape Breton Highlands, all on the Atlantic coast, where, by filmmaker's licence, boy meets girl, marries and has a family, all while enjoying the parks' many facilities for campers. Even the girl's little white car, which leads us to the parks at the outset, seems to run on the pure air and the anticipation of fresh adventures around every turn. - NFB

This documentary explores the economic, sociological, and cultural aspects of food systems and consumption in a major city, focusing on the disconnect between food production and consumption.

An atmospheric mood piece photographed in the winter at the giant dam built by Hydro Quebec in the northern wilds of the province. The story concerns a worker's wife, who is bored with her dreary existence in the wilderness. She walks around in the snow recalling how she met her husband, then goes to the landing field to catch a departing plane. But she remains when her husband tells her how much his work means to him. This moving and very humanistic tale represents the NFB at its best.

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A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.

Exeter Cathedral in Devonshire, England, is considered to be the finest example of architecture of the Decorated period, 1250-1350. This film rolls back the centuries, unfolding the cathedral's history, showing the refinement of the sculpture that went into its building, from the airy vista of the nave--the longest unbroken stretch of Gothic vaulting in the world--to the vibrant colours of its windows. But more than architecture survives: Exeter is still a living church for the people of today.

The artwork of well-known Quebec animator Frédéric Back are used to tell the tale of Champlain’s life in New France – from his first explorations and settlement to his death in 1635. This is an edited version of his 28 minute short documentary on Champlain.