Bernardo Romero Pereiro

Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

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Las Juanas is a Colombian telenovela. It first aired in 1997 on the Colombian Network RCN. The show was written by Bernardo Romero Pereira, and was his most successful telenovela after the globally distributed series Café and Yo Soy Betty, La Fea.

Apuesta por un Amor is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2004. Patricia Manterola and Juan Soler starred as the protagonists, while Alejandra Ávalos, Roberto Ballesteros and Fabián Robles starred as the antagonists.

Ana, a dedicated wife and mother, must reinvent her life after divorcing her philandering husband. When she meets and falls in love with a much younger man named Joaquín, her family and future change forever.

La Marca Del Deseo is a Colombian telenovela that has aired on Telefutura and RCN TV.

A woman who falls in love with a dashing younger man, when her marriage collapses around her.

Actor Héctor Bonilla was considered for a stellar role in the series but he turned the offer down since he was working on the successful stage play 'La Escalera' (also starring Damián Alcázar) at Teatro Monterrey in Mexico City. Then director Luis Vélez, good friend with Bonilla, offered him a small supporting role for the series final weeks and Bonilla eventually accepted.

The improbable real life of Rafael Escalona, who had no music education and became Colombia's king of vallenato music, chronicling everyday life.

Amada and Daniel share a tragic fate: they've each been engaged five times—and all their exes mysteriously died or vanished. Fleeing gossip and bad luck, Amada moves to a town run by women, where she meets Daniel, her cursed romantic mirror. They fall in love, and with the help of a witch, they discover that their perfect match is lucky number seven.

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A gang of professional thieves plans how to rob the jewelry store in Bogotá and escape, not imagining that death surrounds them and all because of a red light.

Three women discover they are married to the same man when he falls into a coma after suffering a heart attack. The story takes a surprising turn when the women plan a solution while he remains in coma, but what if Cristóbal awakes?

A story that moves between reality and fiction, in which a family event unleashes a curse that falls on the three main characters. Insomnia, madness and an enigmatic character guide the outcome of this illusion.

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