Olga Khorkova

A young official, ambitious, but holding idealistic views, doesn't want to curry favor, or use patronage, although he is ready to live, albeit poorly, but honestly. He's subjected to increasing pressure from others who believe that material well-being is more important than principles, and he increasingly fights with his wife over money.

The true story of one of Russia's most beloved national heroines. During the Nazi siege of Moscow, a fearless 18-year-old girl named Zoya risked her life as a partisan fighter. Captured by the Germans, Zoya endured unspeakable tortures at the hands of the Gestapo but still refused to betray her comrades. Even on the gallows, Zoya defiantly spoke out against the Nazis and everything they stood for. In a series of flashbacks, this film re-creates not merely Zoya's death, but also her life.

Summer of 1960. A detachment of exploration geologists is working in the steppe region, and among them is Alyoshka, a guy who, before entering the geological exploration institute, decided to walk with geologists. Unskillful and messy in everyday life, he becomes the object of their jokes and practical jokes, which are not always harmless. However, his persistent character, his timid and pure love for the switchwoman Zinka, who lives with her grandfather on a crossing lost in the steppe, makes the guys from the squad take a different look at this inconspicuous guy and at his relationship with each other.

After the death of her husband, Tamara gave her daughter Olya to an orphanage and left for the North. There she creates a new family and, years later, calls the matured girl back. Not finding love in her mother's house, Olga left for a Siberian construction site with the plumber Roman. But the first difficulties frightened him, and he left her, never knowing that Olga was expecting a child.

Negina, a popular but poor actress, receives lessons from her fiancé Meluzov. Prince Dulebov, intending to take advantage of the girl's dire circumstances, suggests sponsorship, gets refused and becomes spiteful. Despite the latter's intrigues, Negina's benefice performance is triumphant and she receives a large sum of money, part of which Dulebov himself has to provide to keep his face. Still, the entrepreneur refuses to prolong her contract. One after another ecstatic admires come to her expressing their affection, among them Narokov, Naluzov and Velikatov. She leaves honest but dull Meluzov and goes away with rich Velikatov, motivated not by greed but by the desire to work on stage, the only thing she is really in love with.

In the focus of the film is the fate of Varvara Basova, whose painfully soulless, philistine-gray existence, devoid of ideals and moral content. Relevant today, the picture sounds like a verdict to all who are mired in vulgarity, who have exchanged life for petty pleasures, profit, empty philosophizing.

Collective farmer Lyavon Chyh prefers private farming to public farming. For his beloved cow Krasuli, he tries to steal hay from a collective farm stack, refuses to consent to the wedding of his daughter Sonya with a zootechnician Misha, because the young people are going to live in a new comfortable house without a private plot. After all, he hoped that in the person of his son-in-law he would acquire a new employee in his vast household. Worried about rumors that household plots will be cut off, he complains to the regional committee.

Khrystyna Zhalyuk, the chairman of the village council, has had many difficulties from the very first days of her work. The first session of the village council is disrupted due to the fault of the collective farm chairman Spyridon Zhilinka, who pretended to be sick and did not show up at the meeting. Khristina's daughter Yulka is accused of calf death and suspended from work. Makar Shulga, the former chairman of the village council, who has now settled in the district center, is weaving intrigues against Khristina. Zhalyuk discovers that Zhilinka and Shulga were engaged in eyewash, overestimating the yields of some crops.

The action takes place during the Second World War in the battle zone over the Black Sea coast. Soviet sailors track down an enemy submarine. Meanwhile, the commander of the Sea Hunter, along with one of the sailors, is not returning from intelligence. Young patriots Katya and Lida report to the boat about the signal of unknown friends who noticed a submarine. Thanks to this, Soviet sailors drown an enemy boat, and the brave reconnaissance Katya, who knows the mountain paths of the coast well, discovers a Sea Hunter commander and a seriously wounded sailor in one of the caves ..

Based on the story of the same name by A.P. Chekhov.

Television version of the play based on the comedy by N. Gogol "The Inspector" performed by the State Academic Maly Theater of the USSR.

Lipa and Vera had been friends since childhood. Now, having finished their boarding school, each of them faces her own path in life. Tormented by poverty, Lipa is forced to marry the old, dull, and cruel Tolokonnikov. However, she cannot bear the tyranny of the cowardly official for long. Leaving her husband, she departs from Rasteryaeva Street. Vera's life turned out differently. Fleeing with a hussar, she spent several turbulent years, but, exhausted, she returned once again to Rasteryaeva Street. And nothing had changed there.

A filmed stage performance by the Bolshoi Drama Theatre. Three miniatures based on short stories by A.P. Chekhov: The Darling Dog, The Wrongdoer, The Groom and the Papa, exploring the absurdity of existence. In each miniature, one of the characters inevitably insists on something that is completely unnecessary for the other.

A television performance by the Maly Theatre based on the play by A.N. Ostrovsky.

Based on the play of the same name by Maxim Gorky.

Alexander Chatsky returns from three years abroad, hoping to rekindle a romance with his childhood sweetheart Sophie. In the meantime, however, she has fallen in love with Molchalin, her father's scheming secretary. As scandal erupts, Chatsky is met with accusations of madness.

A television play based on the eponymous play by M. Gorky.