Acting
A lonely woman spends the winter isolated and reminiscing about the past as she waits for her husband to return from a prolonged absence.
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This feature documentary follows a number of women with disabilities as they affirm their right to seek, develop and sustain intimate relationships with the partners of their choice. In this moving one-hour film, four disabled women from across Canada share their personal experiences, with particular emphasis on sexuality, self-esteem, stereotyping, and parenting.
A fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.
This feature documentary follows three newly arrived people in Canada and their experiences with the Canadian Refugee process. As claims are assessed and paperwork is double checked, we begin to examine exactly who can be considered a refugee.
Exploration of the connections between sex, love and technology.
Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.
In a poor eastern quarter of Montreal, a restaurant is dedicated for the poors only: le Chic Resto Pop. It used the surplus of some merchants to offer cheap meals. The young people who work there for free get a lot of satisfaction in their work in spite of the difficulties. The movie is build around six songs written by them.
Through the eyes of children and women of different generations, this film reveals the soul of a small village on the Upper North Shore. Mrs. Kennedy has a vital link with the forest: Diane, faced with the difficult path of her life, raises her head; Cathy, at 18, has the biting lucidity of those who have had to fight. The strength and willpower of each of them is echoed by Guylaine, the young soprano who, throughout the film, plays, sings and exudes joie de vivre.
After spending the first 16 years of her life with her Canadian mother, Reema re-connects with her Iraqi father by spending 2 months with him in Jordan. On returning home to Nova Scotia, she realizes she will always have a double identity, and that it is both a burden and a treasure.
The interior delta of the Niger River is a vast region inhabited by a million people. A unique social, political and communal organization has developed over this territory, giving a profound meaning to living together in relation to the movement of the river. The delta is fashioned as much by the immutable alternation of the seasons as by a state of perpetual metamorphosis. A single place can successively accommodate a spawning ground, then a fishing zone.
Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.
In this feature documentary, a Haitian, exiled in Canada for twenty years, returns to his country after the departure of Jean-Claude Duvalier. Through his encounters with former friends, professors and colleagues, the face of this newfound Haiti gradually takes shape… Shot in Haiti after the fall of the Duvalier regime, this film, beyond a simple observation, shares with us the hopes of the Haitian people as well as their fears and uncertainties regarding this country that has yet to be built.
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
Elvis Gratton is back from Santa Banana. Now it's time to get ready for the holiday season. Our man is very busy. At the mayor's reception, he performs his greatest hits.But then tragedy strikes.Elvis dies.Will it all end on such a sad note?
The six members of the working-class Bessette family each mimic a certain stage of the life of the iconic Brother André and are an incarnation of his values and characteristics.
In 1920 a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Members recount how they created an artistic environment of mutual support that lasted for more than three decades.
December 6, 1989. Sylvie Gagnon was attending her last day of classes at the University of Montreal's École Polytechnique, when Marc Lépine entered the building. Separating the women from the men, he opened fire on the women students, yelling 'You're all a bunch of feminists.' Sylvie survived, while fourteen other women were murdered. This video makes the connection between the massacre and male violence against women, setting the stage for an exploration of misogyny and sexism.
In 1953 the Canadian government relocated Inuit families from Northern Québec to the High Arctic, promising an abundance of game and fish and assuring them they could return home after two years if things didn't work out. They would not see their ancestral lands for 30 years. Abandoned in flimsy tents, the Inuit were left to fend for themselves in the desolate settlements of Resolute Bay and Grise Fiord, where the sea was nearly always frozen and darkness reigned for months on end.
