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Jana Plichtová

Jana Plichtová

Acting

Known For

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9.0

No description available.

Povstalecká história

1984
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N/A

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Tajný agent

1974
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The series depicts the history of Slovak society in the first decades of our century and leaves a deep faith in humanity and the nation. It tells the life story of Pavlínka, the daughter of a laborer and innkeeper, whose fate is filled with love, social ambitions, and unfulfilled dreams, and who ultimately returns to the basics of life, to naturalness and wisdom.

Život bez konca

1983
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N/A

No description available.

Bocianie hniezdo

1981
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No description available.

Straty a nálezy

1974
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No description available.

Sesternica Beta

1978
Okna vesmíru dokořán
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No description available.

Okna vesmíru dokořán

1981
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N/A

No description available.

Desatinka citu

1973
Day of the Idiots
5.8

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

Day of the Idiots

1981
O sláve a tráve
5.5

Each of the four short stories, framed by the figure of the photographer, depicts the lives of women and girls whose work has brought them to the limelight, but also marked their relationships with those closest to them.

O sláve a tráve

1985
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Based on the paradoxical life story of a small-time Viennese postman, a former classmate of the "great" Hermann Göring, this television drama depicts the difficult position of the so-called "little man," first under the Nazi regime and later in the postwar years, when fascist tendencies continued to survive.

Spolužiak

1978
Our Gang
5.1

Energetic Dr. Alice Váňová becomes the pit doctor at Mír Mine and spearheads a silicosis prevention study requiring miners to drink milk regularly. The miners, led by a tight-knit group, stubbornly refuse public participation. Determined union chair Janeček resorts to psychological tactics and pressure campaigns to force their compliance, turning a health initiative into a tense battle of wills.

Our Gang

1977
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1.0

No description available.

Zimný semester

1981
Oil Lamps
6.0

In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.

Oil Lamps

1971
Hordubal
2.5

After five years of hard work in America Juraj Hordubal (Anatoliy Kuznetsov) returns back home. He is looking forward to his wife Polana (Libuse Geprtová) and his little daughter Hafie. The family and the village welcome him with hesitation. Everybody believed that Juraj died in America because Polana stopped receiving money from him already two years ago. Polana's farm was prospering first of all thanks to the young stable boy Stepán (Sándor Oszter). Men in the pub first indicate and then say to Juraj directly that Polana has been unfaithful to him with Stepán.

Hordubal

1980
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4.7

Eduard and Charlotte live an isolated and idyllic life together. But soon Eduard feels that something is missing and he invites his friend Otto to come stay. Charlotte, meanwhile, decides that her foster daughter Ottilie should come live with them. Complex and passionate relationships between the four people begin. Based on Goethe's novel of the same title.

The Elective Affinities

1974
Starý včelár
N/A

The Old Beekeeper brings a suggestive reflection on the pure soul of a brave simple man who strives to live honestly and selflessly. His relationship to the order of the world and nature also reflects his relationship to people, and he achieves harmony in life through his ability to live in accordance with his conscience and moral principles.

Starý včelár

1981
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8.0

A young teacher grows up in a small Slovak village during the Second World War.

Man Is Not Desirable

1984
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No description available.

Veľké šťastie

1982
Another Love
10.0

A story of a young student of medicine, who arrives in a small mountain village after being accused for carrying out illegal abortion. The film reflects the moral decline of the society, where stealing in secret and making compromises against one's beliefs make up mundane reality. The filmmakers went to perhaps the furthest possible limits in terms of allowed social criticism in the 1980s. The negative picture is enhanced by its rural setting, since the Slovak village had been traditionally associated with strict morals and conservative values.

Another Love

1986