Doug Fitch
Editing
Known For

The nano-plague that poisoned Earth’s water supply has reached its 60-year critical mass. The Unlight enemy forced the first exodus to the moon where the outlawed banished population was supposed to die. But now the Unlights have launched from Earth and are amassing on the south-west sector of the darkside of the moon for a massive ice-mining operation. It will be the last Great War and lunar troops are sent into battle for the precious resource. However one squad is shot down and the five surviving soldiers find themselves stranded. Cut off and behind enemy lines, they start a dangerous journey through snipers and minefields back to their extraction point with only 36 hours of oxygen left. As their numbers dwindle and nerves fray, they make an amazing discovery about Earth’s satellite that just might save their lives. From THE BANSHEE CHAPTER producers comes a space shocker with gravity.
Shockwave Darkside

A female serial killer who killed four young girls is sent away to prison, but a fifth victim escaped with her life. Twenty years later, the killer escapes and begins hunting for the one who got away.
The Girl Who Got Away

“An exhilarating success, a brilliant presentation of Ligeti's commanding score and a disarming production.” This was the verdict of the New York Times after three sold-out performances of György Ligeti's opera “Le Grand Macabre”, with which Alan Gilbert, in collaboration with director Doug Fitch, brought this milestone of modern music theater to New York for the first time in May 2010. For the Hamburg International Music Festival - which focuses on Ligeti's music - the NDR Elbphilharmonie Orchestra is now bringing the highly acclaimed production to Hamburg in a version adapted for the Elbphilharmonie. “Le Grand Macabre” is a grotesque parable on the downfall of humanity, ‘an opera about the existential crisis in the modern world, about the search for the meaning of life - with all its nonsense and craziness’, states Alan Gilbert. It is no coincidence that this pitch-black musical theater spectacle is the most frequently performed contemporary opera in the world.