Phil Rubenstein

An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.

An eccentric fun-loving judge presides over an urban night court and all the silliness going on there.

Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity--that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael's exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.

Four Southern Florida seniors share a house, their dreams, and a whole lot of cheesecake. Bright, promiscuous, clueless and hilarious, these lovely, mismatched ladies form the perfect circle of friends.

Barney Miller is the kind of cop we'd all like to run into. Always sensible, he maintains order over a band of detectives who gamble, hit on anything in skirts, go to renaissance philosophy conventions for fun, and would really prefer to be writing. Nearly all of the action takes place in the squad room where citizens and criminals are brought in to complicate the mix.

Hunter is an American police drama television series created by Frank Lupo, and starring Fred Dryer as Sgt. Rick Hunter and Stepfanie Kramer as Sgt. Dee Dee McCall, which ran on NBC from 1984 to 1991. However, Kramer left after the sixth season to pursue other acting and musical opportunities. In the seventh season, Hunter partnered with two different women officers. The titular character, Sgt. Rick Hunter, was a wily, physically imposing, and often rule-breaking homicide detective with the Los Angeles Police Department. The show's main characters, Hunter and McCall, resolve many of their cases by shooting dead the perpetrators. The show's executive producer during the first season was Stephen J. Cannell, whose company produced the series.

Sergeant Thomas Jefferson Hooker is a tough-as-nails veteran police officer with the LCPD who turns his back on a gold badge and goes back to patrolling the streets and training recruits. Along with his young partners in blue, Hooker take on Lake City's toughest criminals.

Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his “cage,” they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.

A furry alien wiseguy comes to live with a terran family after crashing into their garage.

As part of a deal with an intelligence agency to look for his missing brother, a renegade pilot goes on missions with an advanced battle helicopter.

A probationary angel is sent back to Earth to team up with an ex-cop and help people.

After being duped and going bankrupt, model Maddie is convinced by David to become a partner in a detective agency. Together they solve various cases, while getting comfortable with each other.

A bald, lollipop sucking police detective with a fiery righteous attitude battles crime in New York City.

Wealthy, young-at-heart business owner Edward Stratton III is stunned to discover his brief marriage several years ago produced a son, Richard Bluedhorn-Stratton, now 12 and standing in Edward's living room, wanting to live with the father he never knew. Although Edward's first impulse is to send Ricky to boarding school, he soon relents and let his son move in with him and Kate, his love-struck secretary.

Thelma Harper and her spinster sister Fran open their home to Thelma's recently divorced son Vinton and his teenage son and daughter. It's quite an adjustment for everyone, especially the cranky, argumentative Thelma.

Crazy Like a Fox is an American television series set in San Francisco, California, that aired on CBS from December 30, 1984 to May 3, 1986.

Street Hawk is an American television series that aired for 13 episodes on ABC in 1985. The series is a Limekiln and Templar Production in association with Universal Television. Its central characters were created by Paul M. Belous and Robert "Bob" Wolterstorff, and its core format was developed by Bruce Lansbury, who had initially commissioned the program's creation. This series was originally planned for the fall of 1984, Mondays at 8:00PM Eastern/7:00PM Central. However, ABC executives changed their minds when the summer series Call to Glory did well, and Street Hawk was pushed to mid-season. Street Hawk made its debut on January 4, 1985 on ABC at 9:00PM Eastern/8:00PM Central and ran until May 16, 1985. Reruns aired on the USA Network on Saturdays at 10:00AM from 1990-91.

The Comedy Factory (no known affiliation with the comedy club of the same name) was a live-action, scripted comedy series that ran during the summers of 1985 and 1986 on ABC in the United States and CTV in Canada (who also oversaw production). The show revolved around comedians and actors acting out scenes from television pilots that had been passed on previously by ABC. Further information on the show is scarce and nearly every episode of the show is presumed lost; only the premiere episode, "Honey, It's the Mayor," is known to survive in its entirety (uploaded to YouTube).

Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business.

After a successful deployment of the RoboCop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the RoboCop 2 project, a living God.