Carlo Sironi

Lena is seven months pregnant and she's ready to sell the baby in her belly. Ermanno agrees to pretend to be the father. Fabio, the uncle of Ermanno, will pay them to buy the child that he and his wife Bianca cannot have. A fake adoption between relatives, a loophole to bypass the law in Italy. A world in which money is the only standard of value, the only thing that matters. Ermanno and Lena are two strangers that must pretend in public to be a couple and live together until the delivery. They are used to only thinking about themselves and they fight all the time. But living side by side they start becoming what they were only pretending to be.

A troubled detective investigates the disappearance of junk TV celebrities who hosted the same controversial talk show.

In 1918 Cesare Magnozzi, a roman photographer, is drafted and together with Don Silvano they escort a soldier to the trench.

Italy, 1997. When Clara and Irène, both 17, meet they are nothing like each other but get on marvellously well. They run away together to a faraway island off the coast of Sicily to live their summer freely, and to hide from a reality they want to forget.

Rocio is 20 years old and has been detained in an identification and expulsion center in Rome, pending deportation to her country of origin. During her detention Rocio has become pregnant, but she is unwilling to reveal how or with whom this has happened, preferring to remain silent. By law, pregnant women cannot be detained. So Rocio is released, four months into her pregnancy and with a temporary permit of stay on maternity grounds. Now she is free, but must also go ahead with an unwanted pregnancy.

In a sumptuous villa, three young people discover their desires.

Clara observes her sister Sofia, locked in her own world, where there is no space for words and communication takes place only through objects, more effective than certain dialogues between a father and a daughter.

Alina is twenty-five, comes from Ukraine and works as a prostitute on the outskirts of Rome. Jani, the guy who brings her onto the street everyday, can't keep his eyes off her. He believes the child she is carrying is his. This almost illusory certainty drives him to look for a way out from the cage that encloses them.

Carlo Sironi explains his method, the effort involved in writing, his love for characters, and the liberation from the confusion of the present. Music, literature, and the past as an insistence on the contemporary form the basis of his cinema.