Tatsuo Nishioka
Acting
Known For
A frenzy of goodwill, tears, laughter, and a lot of fun, caused by thirteen children under the guise of a good-natured fruit vendor and his wife.
Otōsan wa Ohitoyoshi
Film directed by Kenji Misumi.
Gambler and the Princess
Rikitaro and Osayo are popular entertainers who throw knives. They are sweethearts. At one day They help Ocho, who is a beautiful pickpocket when she is attacked by Ronin. in Asakusa, However, they come to be surrounded by doubtful Ronin after that. Moreover, Rikitaro is called to stop by Kajima of Edo-Karo of Nihonmatsu-Han. He calls him a young lord and treats Rikitaro as one, because his young lord, Tetsunojo is missing. Kuni-Garo makes a plan to carry out. Kikumaru, the younger brother of the mother difference in him instead of Tetsunojo, Since Rikitaro is just like Tetsunojo, then, they are convinced that it is Tetsunojo of Rikitaro. Rikitaro and Osayo decide to help Kajima and Tetsunojo. Finally they success to crush Kikumarsu's group.
The Magical Warrior
No description available.
Mangorō Tengu
No description available.
社長野郎ども
A revenge comedy directed by Torajiro Saito (Oedo's most Popular Man) from a script by Chao Fushimi (The Millionaire of a Night) and shot by Hiro Imai (Akado Suzunosuke (1957)). Starring Achako Hanabishi (Segedei Momoshiki Goten), Tamao Nakamura (Akado Suzunosuke (1957)), Seinen Hayashi (Nijunin no Kenka-jou) and Sumire Harukaze (Harukaze Sumire). Also Rumiko Komachi, Shunji Sakai, Yoshio Tabata and Mieko Suzuki.
The Tower of Nanzenji aka Return to Manhood
Early film directed by Kenji Misumi.
Asataro the Crow
Japanese comedy film.
娘十八びっくり天国
Japanese comedy film.
誰よりも金を愛す
A work with the motif of a legend that remains in the mountain villages of Shinshu and Hida. A white snake helped by a young man transfers to a girl's body, longing for him and burning in an endless passion.
Lust of the White Serpent
Set in a bustling 1950s parlor, a beautiful counter clerk falls for a wealthy businessman’s son, only to have their romance derailed by a ruthless loan shark and a mounting family debt. As the parlor faces ruin, the narrative weaves through slapstick antics, musical numbers by Enka legends, and surreal interviews with real-life cultural figures. A chaotic "blueprint" for the Pachinko subgenre, this musical dramedy captures the obsession and desperation of the silver balls.