Wong Chun

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times

An operation in Thailand against a notorious drug lord changes the destiny of a Hong Kong Police Department narcotic team. Five years later, a drug dealing brings them together again.

In this classic whodunit, a police detective must rely on the only witness - a parrot, to catch the killer of an armed robber.

An absentee father and his bipolar son are forced to live together as they struggle with a recent family tragedy. The tension and anxiety boil as they live and try to cope in a tiny apartment. As time passes, they realize their shared pain is not their only source of grief, as they find the outside world is a cruel and unjust place.

This long-awaited biopic provides a vivid account of the remarkable life of Anita Mui in and behind the limelight, chronicling her journey from a child performer to becoming one of world's most recognized music icons.

GOOD TAKE is an omnibus of five short stories with 85 minutes duration, filled with suspense, surprise etc. The ending of each story is never what it seems….

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

On 6th March 2011, 113 protesters in Hong Kong were arrested for "Unlawful Assembly" after they stormed the traffic lanes of Central during a demonstration against the budget proposal. Protesters were placed in the canteen of the police station for questioning in groups due to inadequate rooms. Three protesters and three police officers, six people with different political views sitting around the table. The copy machine is out of order; it's going to be a long night. So they started chatting.

Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.

What could possibly turn a shy, quiet nerd into a voyeur? A long, lazy summer coupled with endless boredom? Sometimes through his binoculars and other times loitering on campus, a secondary student seeks to get an early taste of what university life has in store for him, dropping in on lectures, stalking the object of his gaze and lurking within her personal spaces. Feeding on a voyeuristic and borderline intrusive look into the lives of others, the voyeur remains at distance an idle walker and casual observer of a time and place charged with passion of a political (and sexual) nature, until his path crosses with hers and the two finally converge…

A pair of homeowners are left in debt as their deposit goes up in smoke as the law firm they entrusted had suddenly gone bankrupt. On desperation, the husband takes to robbery which by chance spins him into a web of murder and intrigue with a girl who also breaches the law because of money.

A young girl who believes that the world will end in 2012 lives only for the present. Working in a bookstore, she spends her days on menial day-to-day tasks and sitting on a roof to anticipate the end of all things. One day, the bookstore owner tells the young girl that she can do more than just simply wait. In a world where the future appears bleak and hopeless, should we prepare for a painless end, or it possible for us to stand up and make a change?

The poignant drama centers on Mr. Chan, a passionate secondary school teacher dedicated to students with special educational needs (SEN). Adapting the approach of inclusive education by placing SEN students in mainstream schools, Mr. Chan's unwavering dedication is challenged by those around him including the largely indifferent principal who scoffed at the name of the symptoms, the vice-principal who is more a deal maker than an educator, fellow bullying students and the parents who face numerous hurdles with strength derived solely from their enduring motherly love. An unflinching look of Mr. Chan's and the mother of a SEN student raise the question: how to care for the SEN students without leaving them high and dry?

Music is the common language that draws people together. Johann Bach’s Goldberg Variations brings the two lonely and unrelated people in the film - an inconspicuous mid-aged man Joe and a once popular actress Shu closer. A subtle and occasional encounter takes place in the remote country side where Joe is the night shift storekeeper and Shu goes to the area for shooting. When Joe plays this particular work of Bach, Shu is touched and shares with him her miserable life experiences. He feels that there is a bonding between them until he attempts to explore more into this illusive “relationship”.

After losing his son in the 1989 Tiananmen Square protests, a disillusioned old man chooses to stay silent and block out the noises of political bickering in the city. After all, nothing anyone does ever seem to make any difference. With the quick deterioration of freedom in Hong Kong, how much longer can the old man choose to stay silent before the oppression becomes too much? Amidst the noises from all sides, which side should we listen to, or should we simply stay apathetic and block out the noise altogether?