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Tony Ianzelo

Directing

Biography

Tony Ianzelo OC RCA (born June 13, 1935) is a Canadian documentary director and cinematographer.

Known For

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9.0

This documentary tells the story of Max Ward, a former bush pilot whose company grew to become one of the major airlines in Canada. A study of entrepreneurship, the film focuses on Ward himself, depicting his distinctive style of hands-on management. Between hallway meetings, informal chats with the staff, checks on maintenance, flight preparations and in-flight conversations with vacationing customers it becomes apparent that the president's personal touch is a key element in Wardair’s success story.

Max Ward

1984
The First Emperor of China
5.3

This historical drama tells the story of Qin Shihuang, who unified China's vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb.

The First Emperor of China

1989
The Best Damn Fiddler from Calabogie to Kaladar
7.7

"The Best Damn Fiddler from Calabogie to Kaladar" tells the story of Emery Prometer, a proud bush worker in Ottawa Valley, resisting government aid to support his family. The film compassionately depicts their struggles and the resolve of Emery's daughter, Rosie, (Margot Kidder in her film debut) to break the cycle of poverty through education. This '60s NFB standout authentically portrays their dignity amid hardship, showcasing Canadian filmmaking despite hurdles from private broadcasters' cost concerns. The Best Damn Fiddler from Calabogie to Kaladar won eight Canadian Film Awards, including Best Picture (John Kemeny, Barrie Howells), Director (Peter Pearson), Cinematography (Tony Ianzelo), Screenplay (Joan Finnegan) and Lead Actor (Chris Wiggins).

The Best Damn Fiddler from Calabogie to Kaladar

1969
Games of the XXI Olympiad
5.1

Edited from almost 100 km of film footage shot during the Games, this feature documentary is a breathtaking portrait of the 1976 Montreal Olympics. Much more than a simple record of the Games, the film approaches each event with the intention of revealing the athlete - whether winner or loser - as a unique individual.

Games of the XXI Olympiad

1977
Momentum
5.3

Go head-to-head with an icebreaker. Plunge down a twisting mountain gorge. Soar through the clouds in the nosecone of a jet, then speed along with a dog team as it races across a frozen Arctic lake. A sweeping, moving tribute to Canada's stunning geography and rich cultural heritage, Momentum leaps off your screen--and touches your heart. Momentum wowed audiences from around the world when it premiered at Seville, the greatest world's fair of the last quarter century.

Momentum

1992
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10.0

With no commentary other than the music and words of the performers themselves, this fast-moving film presents the grandest Canadian concert of them all. Here, the performers include both the great and the unknown from across the country, the musical styles span the centuries, and the artists are involved in all stages of musicianship: learning, teaching, conducting, recording, performing. Among the film's many stars are Edith Butler, Beau Dommage, Maureen Forrester, Glenn Gould, Paul Horn, the Huggett Family, and Gilles Vigneault.

Musicanada

1975
Cree Hunters of Mistassini
7.7

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Cree Hunters of Mistassini

1974
Blackwood
6.0

This short film studies the works of one of Canada's greatest contemporary etchers - Newfoundland-born David Blackwood. The artist himself guides viewers through a step-by-step explanation of the etching process. Scenes of his hometown, examples of his own work and vivid tales of an old mariner recall the tragic seal hunts and a way of life that has now vanished.

Blackwood

1976
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8.0

This short film presents Mr. Bate, an inventor who discovers a substitute for gasoline in barnyard manure. Even though he fits the classic mould of single-minded know-how and practical dreamer, his discovery is tried and tested. He demonstrates how his home-made digester does turn manure into potent methane gas that powers his auto. And for good measure, he demonstrates his latest sustainable invention – a bicycle powered by the bumps on the road.

Bate's Car: Sweet as a Nut

1974
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8.0

Filmed in IMAX, Emergency takes you from the far north to two Montréal-area operating rooms, following a patient in urgent need of heart surgery.

Emergency

1988
Cold Journey
9.0

In this feature drama, a Canadian Indigenous youth attempts to find a place for himself. He faces culture shock as the educational system teaches him to be a white man and tries to find a way of life more meaningful to his Indigenous culture and ancestry.

Cold Journey

1975
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8.0

A portrait of the Canadian Dance Spectacular, a 1981 show at the National Arts Centre in Ottawa, Ontario, at which eight Canadian professional dance companies all performed on stage together for the first time (Wikipedia). Nominated for Best Feature Length Documentary at the 4th Genie Awards in 1983.

Gala

1982
Through Conflict to Negotiation
N/A

This documentary follows a community action group led by American community organizer and writer Saul Alinsky in Rochester, New York. Together, they confront the community's largest employer on the issue of corporate responsibility and the employment of minority groups.

Through Conflict to Negotiation

1968
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N/A

In March, 1974, the Cree of the Mistassini area in northern Québec met to discuss their long-term future. After three hundred years of minimal contact with the white man, they had been offered 'compensation' by the government of Québec for the effects of the James Bay power project. But they decided that nothing, neither jobs nor money, meant more to them than their land. The film presents the issues under these headings: The Conflict, The Hunting Culture, The Schools, The Villages, The Fight for the Land.

Our Land Is Our Life

1974
Canada Vignettes: Don Messer - His Land and His Music - Marg Osburne 1927-1977 Pt. 1
9.0

One of six Canada Vignettes from the NFB production Don Messer - His Land and His Music, featuring one of the principal performers, Marg Osburne, who has since passed away.

Canada Vignettes: Don Messer - His Land and His Music - Marg Osburne 1927-1977 Pt. 1

1979
I'll Go Again
N/A

This documentary by director Paul Cowan is about four athletes and a team that competed in the 1976 Olympics. They had trained courageously to be among those who would mount the podium to receive a medal. None of them did, but was it worth the effort? I'll Go Again answers the question.

I'll Go Again

1977
Transitions
8.0

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

Transitions

1986
That's the Price
9.0

What happens to two dying coal towns in British Columbia when an American corporation provides a contract for millions of tons of coking coal? The film follows the consequences for the towns of Natal and Michel, suggesting that industrial growth has its price, especially with regard to the environment.

That's the Price

1970
You Are on Indian Land
9.0

The territory of Akwesasne straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases - a right established by the Jay Treaty of 1794 - Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State.

You Are on Indian Land

1969
The Dowry
8.0

A little drama, almost a love triangle, filmed on the Canadian Atlantic coast, about a fisherman, his girl, and his boat. The boat needs a new engine but the owner lacks the cash. His girl's undertaker brother has money enough if he can be persuaded to lend it. What develops in the film is an object lesson showing that neither a boat nor a girl can be taken too much for granted.

The Dowry

1969