
Dustin Waldman
Editing
Biography
Dustin Waldman is a filmmaker, writer and editor based in New York. Short films he wrote and directed have played at festivals like SXSW, Rotterdam, Sidewalk, Indie Memphis, Rooftop Films and Nobudge Live. In 2023 he was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. Vulture once described his work as “cringe-comedy psychodrama.” As an editor he’s worked on many award-winning narrative and documentary films, including Faya Dayi, Are We Not Cats, ESPN’s 30 for 30 Short Deerfoot of the Diamond and the Camerimage winning A Mouthful of Petrol. He has also edited many short documentaries for the Museum of Modern Art.
Known For

While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.
Cold in July

Examines stories of absurd, outrageous, and dramatic real-life residential conflicts from a wide range of larger-than-life characters across the United States, opening a verité portal into the lives of contemporary American.
Neighbors

A spiritual journey into the highlands of Harar, immersed in the rituals of khat, a leaf Sufi Muslims chewed for centuries for religious meditations – and Ethiopia’s most lucrative cash crop today. A tapestry of intimate stories offers a window into the dreams of youth under a repressive regime.
Faya Dayi

Two strangers spark romance through their unusual habit.
Are We Not Cats

In late 2021, Cleveland’s baseball team was reborn as the Guardians. This documentary, directed by Lance Edmands, chronicles the saga of that name change, which has its roots in a forgotten legend named Louis Sockalexis, and the tragedy that enveloped his story more than a century ago.
Deerfoot of the Diamond

Caught in a deadly war between magic and technology, a space princess joins forces with her father's enemies and learns ancient magic to protect her gifted son.
Desert Sky

Mother Lazos, an Astoria NY street psychic, is killed in a hit and run leaving her daughter Cecilia to take over the family psychic business. As Cecilia works to assume the role of psychic/hustler, a mysterious young girl appears on her doorstep with seemingly real psychic abilities.
Moon and Sun

A dystopian tale, shot in magisterial black and white, about a world that’s variously tortured and enlivened by sound.
Black Soil, Green Grass

Amid the high anxiety of post-9/11 NYC, a struggling post-production house is hired to remove a shot of the Twin Towers from the intro to a hit TV show.
Never Fuggedaboutit

A portrait of America's oldest practicing attorney as he embarks on his final case.
Frank

Two no-name actors aren’t having the Broadway careers they dreamed of. The only thing that keeps them going are the small roles they’ve consistently booked in New York’s off-broadway theatre scene. But when they both fail to land good roles for the upcoming season, the future looks bleak. With no alternative, the actors decide they’re going to do the only thing that will get them back in the game: they’re going to become playwrights and write a new play with the biggest, longest, most dramatic scenes possible. And, most importantly, they’ll cast themselves.
Theatre People

For years now, Wayne, father of 12-year-old JayDee, has been into banger racing, a rough style of racing in self-built cars. Now that JayDee is nearly 13, his debut race is finally in view. Wayne helps his son fix up the car in the garage, teaches him steering techniques and prepares him mentally. JayDee, meanwhile, is feeling increasing pressure to make his father proud.
A Mouthful of Petrol

A man who thinks he's the worst person on earth has to kill the worst person on earth.
The Terrible One

After keeping the world at arm’s length for decades, basketball legend Tim Duncan reveals himself in an intimate portrait directed by his brother Scott, reflecting on the game, his career, and his enduring connection to his native island of St. Croix.
The Boy from St. Croix
Setting out to “make a movie” on the streets of NYC, a man recruits strangers to act alongside him in “movie scenes”. Using a hidden camera prank show format, “Cinema Brut” is notable for capturing the strange ways people respond when asked to perform, and for the highly committed performance by Bennett Clarkson beaming with manic energy and repartee.
Cinema Brut

What begins as a documentary about a New York acting class collapses when the students and teacher revolt against the film, forcing the filmmaker into a reckoning with truth and power in an age when reality itself feels like a performance.