Juan Bianchini

After twelve years away, Martina and her mother travel to Villa Mercedes where their relatives live, including cousins she has not seen since childhood. Their mothers have a distant relationship due to problems in the family business. A tragedy allows the cousins to bond as they embark on a journey to reconnect with one another.

On 3 November 1995, the Rio Tercero Military Factory exploded in Cordoba, prompting thousands of projectiles to fire and spread in the surrounding villages, in a tragedy that would leave seven dead and hundreds injured and affected. At the time, Natalia Garayalde was a twelve-year-old girl who lived with her family near the place, and he was still playing filming with the video camera her father had bought, when she recorded the immediate moments of the burst, while her family escaped the explosions, as well as the daily activities of the village in the days and weeks that follow. Twenty-five years later, that material captured from a girl's candid and surprised gaze it becomes a thoughtful and painful testimony about the family, the destruction of a city, the traces of horror, the sinister truth about the case.

Eva, a film editor, and her assistant Rami are working on a film about blind people. A melancholy reflection on cinema and images.

Maria lives with her mother in a village in the interior of the country. She does the housework and works as a masseur in a room in the house. The mother is in a bad way because of an injury caused by Suncho, the dog in the house, and then Maria takes care of her demands. Florence, her younger sister, is moving to the capital with her boyfriend. The early arrival of the couple in the village, to finalize details of the move, triggers movements inside the house.

A teacher tries to help a student so that she does not drop out of school. This leads him to receive accusations that get him into trouble.

A relationship, two people, songs, dances, a love, video kisses, video calls. Technology in the relationship, people in the middle. The planes, the internet, the camera. Moments of closeness, distance.

Life and work of Julio César "La Chacha" Villagra (1961-1993), one of the greatest idols in the history of Club Atlético Belgrano.

Shot film by Juan Bianchini