Liam Alex Heffron

A group of girls are terrorized by violent vagrants before succumbing to a horrific supernatural evil.

Driven to investigate the mysterious disappearance of his father, New York psychologist Ed Hunter travels to a remote village in the West of Ireland and finds a community that has been living in fear for centuries. He meets a mysterious girl who tells him that his father had been searching for the spirits of a mother and child who were buried alive in the nearby forest over 1000 years ago.

An ensemble of mourners travel in their cars to the funeral of an Irishman who took his life in a car.

A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.