Marek Serafiński

An adaptation of Oscar Wilde's prose. The story of a child found in the forest, who was taken in by a poor woodcutter's family. The boy grew up to be a handsome but arrogant and selfish young man. One day, a beggar woman arrived in the village claiming to be his real mother. The boy banished her from the village, unable to accept the fact that he was the son of a woman of such low status. With time, however, he realized the cruelty of his actions and decided to find her and ask for forgiveness.

In the Renaissance castle of the Polish count - Jan Potocki - in Lancut, the modern traces of a past glory persevere and become visible again at the tones of Krzysztof Penderecki's music and Brothers Quay's imaginary animation.

A portrait of a speaker, engrossed in his own speech, finds the hall empty.

A stonemason Ajio, quiet, honest and conscientious by nature, works on road construction in Lailonia. One day, a hump grows on his back, which quickly turns into Ajio's double. Ajio's double is aggressive, vicious and lazy. He quickly manages to convince those around him that he is the real Ajio. Soon an epidemic of humpbacks affects all the residents of Lailonia. Real people are replaced by their doubles. They are aggressive and imperious. Ajio's double takes over the city of humpbacks. Only Ajio's son manages to escape the city. He hopes that when he grows up - he will return and deal with the humpbacks.

An angel appears above a gray, large-panel housing estate. He is noticed by a violinist and a party dignitary. For the musician, the angel is a source of inspiration; for the man of power - a pretext for a cynical political game.

An obese, naked man wanders through empty space. He hunts for emerging shapes. He sees tempting Venus of Willendorf, but her figure turns into a concrete block. He manages to knock her over. Satisfied, he doesn't predict that this is the first piece of the domino and it will eventually crush him.

Housewife, or modern Sisyphus of the female kind. A woman saves herself from the stupefying influence of the wheel of household chores by escaping into joyful creativity - jigsaw puzzles from junk.

The technique of animated photographs. A grotesque tale about a man's life, his problems, and the situations he must adapt to.

Passengers are waiting on the platform of the dingy railway station. They are depressed and resigned. The dignitary stands behind the rostrum – he announces an cancels more and more trains. None of the trains arrive.

An anonymous couple comes to the maternity ward. The woman is immobilized in the bed, the man is in the waiting room. Doctors and nurses decide to have a drunken party. A mysterious guest will help Benio come into the world. An animated joke by Marek Serafinski, a creator and producer of animated films, graphic artist and content creator. From the very beginning, the artist used a combined technique, manipulating shots and graphics. Chronicle pictures of life of the 1980s and 1990s were diversified by including fantastic characters and phenomena. "The Birth" is a grotesque view of the reality of hospital births, the separation of fathers, the isolation of women, and alcohol consumption during working hours.

A bicycle race between competitors ends up not with a winner, but with a seemingly never finishing loop.

An attempt to combine the aesthetics of film and pop-art comics in the form of 2D and 3D animation. The film is a variation on the theme of a black crime story. As befits this convention, there are cynical gangsters robbing gold and a tired hero - a tough cop. Here we have an armed robbery, an apparent friendship and a brutal betrayal, a car chase through the crowded streets of a big city and a shootout in the finale without a happy ending. The whole thing feels like a story straight out of a Chandler novel.

A grotesque story of a certain family. The protagonist of the film is a successful, multi-talented politician who knows how to adapt to any situation. However, when it comes to domestic matters, he is pushed into a totally defensive position. All this is observed by the protagonist's son, who distances himself from the reality surrounding him by choosing his own way of continuing his father's path.